This show most strongly reminds me of Doctor Who, which (back when it was good!) would lead us on a lot of ridiculous adventures - some epic, some absurd, maybe even straight up silly. But no matter how nonsensical the writing got, there was always the emotional throughline of the Doctor's character (and maybe his relationship with his companions) to keep you invested and engaged with the story.

So that's kind of like Guardian - Shen Wei and Zhao Yunlan's relationship is the emotional throughline that keeps you invested in this show. The writing really does go off the rails after episode 20 or so. After that I was basically watching for Shen Wei and Zhao Yunlan's CP moments - I guess that was kind of the point? They were basically the ones who injected all the feelings and intensity into all the silliness of that plot. This isn't a new insight or anything, but Bai Yu and Zhu Yilong's chemistry and their dialogue with each other saved this show. The whole show basically rides on these two men's excellent acting chops.

(As an aside, I think Zhu Yilong's Shen Wei is stronger than his Ye Zun. His portrayal of Ye Zun isn't bad by any means, but he did have these cartoon villain moments where he would yell some lines randomly or do that villain laugh that made me not take him as seriously. Maybe that's down to the writing or directing though? I can't say for sure.)

I think the show is really at its strongest when it has that episodic format, with relatively self-contained stories around different paranormal crime investigations. I was absolutely hooked during that part of the show, and if the rest of the show had that quality of writing throughout I would have rated this at least an 8, maybe even a 9. Those episodes introduced some really interesting concepts and narratives, and generally had very satisfying emotional pay-offs. Li Qian's story with her grandmother? Brought me to tears. That episode with the mirror girl and her boyfriend? Heartbreaking. Some episodes were genuinely creepy and gave me chills - see: the mirror girl episode. The performances from the one-off actors in those episodes weren't anything to write home about but it didn't matter that much to me because I liked the stories they were in. Even the Purple Hair Guy was properly creepy and intriguing until he started appearing a lot more - at that point he basically became a cartoon villain and I really couldn't take him seriously as an antagonist.

The latter half of the show is where I think censorship really impacted this production. I know something of the original setup in the novel as well as the original ending, and I think it's a real shame that such an epic-sounding story was de-fanged like this. The censorship-friendly re-work of the concept wasn't in itself a bad idea - a sci-fi paranormal setup with aliens, superpowered people, and altered genetics actually sounds kind of cool. And when the show was very episodic, that was probably quite easy to work with. But when the writers had to rework the more epic fantasy parts from the novel into the latter half of the show... that's when they ran into some problems. Based on what I know, the latter half of that story draws *a lot* on the Chinese fantasy setups of the main characters and story - you know, the censored parts. And I can tell the writers really struggled to work these plot points into their sci-fi/paranormal rework. I don't think it was impossible to do at all, and I think they should have given all these writing decisions a lot more thought. But I do sympathize with how difficult a writing task like that probably is. There were some bright spots here and there, like the episode where everyone's personality gets messed up by that mind-altering substance which was super hilarious. But ultimately the result is a second act that is convoluted, unevenly paced, and generally doesn't make sense plot-wise. I actually felt bad about how uninvested I was in the plot, but I only really wanted to see the main CP. I will say that the bromance between Xiao Guo and Lao Chu was fun and touching at times though.

The other secondary characters were fine, although I feel like I'd prefer them in their original book context. I like Da Qing, but I don't like a lot of things the writers did with him. They half-heartedly tried to give him a romance and a father figure but I wasn't very invested in those relationships because they just didn't seem to go anywhere. Zhu Hong started out interesting, but so much of her character arc was consumed by her one-sided crush on Zhao Yunlan, which was cringey and made me lose interest in her. That cute librarian couple - I always forget their names, dammit - talk about two people who deserved better. (Also why did the guy have a stutter? Is that really what happens when you're imprisoned in a crystal column for thousands of years? I mean, this person led a whole rebellion against the elites in his society - was the trauma he went through afterwards enough to make him develop a stutter?)

As for the technical issues, the most glaring one is the dubbing quality. You have these weird moments where a character will be talking and all of a sudden the acoustics of their voice will be different, like they suddenly went into a different room, switched microphones, or maybe moved away from the microphone. Super distracting. Also there's the bad CGI... but that's just kind of par for the course in Chinese dramas. It's not that much worse than the early days of the Doctor Who reboot, if you ask me.

I probably wouldn't rewatch this entire show, but just the episodes with my favorite Shen Wei/Zhao Yunlan moments. However, I might be interested in a rewatch after reading the novel, which sounds really intriguing to me. Maybe it would help recontextualize a lot of things for me?