The chance to right your mistakes is one of the top wishful thinkings that never loses its charm.

By right, the premise for Story of Kunning Palace (SoKP) already makes for a great start … By left though, SoKP falls through in the genre of reborn stories with poor camera angles and lighting, story execution and okay-ish actor / actress caliber.

Director Chu is infamous in the industry for his weird camera angles and inappropriate lighting position - so I will not delve deep into this. As a general viewer, I don’t have the professional knowledge to critique this constructively. The only thing I would say is it indeed cut down my viewing experience by a fair bit.

Onto the story. Jiang Xuening was the evil, alluring empress that was given the chance to redo life when she found she was back to her 18-year old self.

First things first, like any idol drama, I think evil can and should be contested. She was morally flexible and selfish in her first life, but to emphasise she was evil and thus, felt this deep regret to redeem her past actions to Yan Lin and Zhang Zhe was a bit lost on me. I felt that this may be due to the lost of translation from the original novel to drama adaptation.

This leads to the second, related point. The director and editors presented the story such that flashbacks of 1st life would play out right before the big event happened in 2nd life, and then we would watch how Xuening did differently after. On one hand, it made the story less draggy. On the other, it made me feel less engaged with Xuening’s motivation because I didn’t get enough context on why she felt a certain way with some characters in the scene. Like why she is so afraid of Xie Wei. Or why is she so grateful towards Fangyin. I mean they did mention why with the brief flashbacks, but the impact wasn’t deep enough for me to truly grasp the full picture of Xuening’s feelings. Not to mention, some of the flashbacks felt disjointed too.

Xie Wei should be an intriguing male lead - with his obvious backstory that closely mirror of Mei Chang Su story from Nirvana in Fire. Alas, while one may be able to copy the surface level stuff, the spirit or essence of classics is not as easily replicated. Maybe it’s the screenwriter. Maybe it’s the actor. To be fair, I think Zhang Ling He did good enough for his age. His Xie Wei just doesn’t have that charisma or charm for me, for now. Quite a lot of things were diluted to me in SoKP - I couldn’t feel that Xie Wei is was that smart to be able to fool the emperor, ministers, and rebels. There were more questions about how he survived his ordeal as a kid then and the resources he was able to amass at his disposal as an adult now to be able to do what he wanted. Similar to Xuening character, I felt this is also another lost in translation case. I shall stand corrected if I ever find the time to read the novel.

The funny thing was I got more intrigued by the side characters stories more than our main leads. One was Xue Hui’s arc, Xuening’s sister who was wise and truly just wanted to live her life peacefully but was misunderstood by Xuening for her indifference, in the 1st life. As Xuening chose differently this time, she came to better understand the person beneath the protective shell Xue Hui’s has built. Pity that Xue Hui didn’t even appear much on screen. Another one was Yan Lin’s, and I was rather satisfy with his arc. Fangyin’s arc was enjoyable too.

Overall, SoKP is a good enough reborn story that’s not for the nitpicky. It has a good enough storyline that sadly wasn’t translated as robustly on screen.