Deze recentie kan spoilers bevatten
This drama died with plenty of regrets
This drama definitely had potential (my beloved Lee Kyu-hyung plays the sad dad!) which ended up being squandered in its entirety. And the score I gave is reflective of the enormous disappointment I suffered.
I can be petty like that.
Also, I would not recommend this drama to anyone except for Lee Kyu-hyung fans (who will get the chance to see his dimples in every episode).
The story is a quirky one and starts in medias res. I was truly invested because I love discovering things little by little and, above all, I love wacky supernatural plots.
The dead coming back to the living world after time and life went on beyond them is entirely fascinating to explore as a concept (one of my favorite shows is the French drama Les Revenants). I think it is one of those what-ifs we have entertained collectively since the beginning of human experience and a fantasy that confronts us with deep reflections on death, relationships and society. Therefore, I always have great expectations when a story takes up such themes.
Despite this promising start, I feel like the writer never really committed to any of the concepts they introduced.
The trauma, grief and the bereavement we are invited to delve into seem underdeveloped, left unresolved (in my opinion May I Help You does a better job on the subject). One might argue that for most of us the loss of a loved one, in particular a traumatic and sudden loss, stays an unresolved matter for life.
Still, I watch drama to escape the harsh reality and lose myself in impossibility and parallel universes of perfectly finite stories! And I would have loved to see the characters really explore the implications of the absurdity they are facing and grow their relationships beyond the state we find them in. Instead we are constantly bombarded with new arcs, fillers and one too many emotional scenes.
That is why I felt that the pacing was off and I was bored the majority of the episodes.
I am deeply supportive of mixed tones (I am a fan of dramedy and cry laughing all the time), but there were too many failed funny-cute moments in this and, at times, it was a bit awkward.
The ghost characters in the columbarium are funny and Kim Tae-hee is brilliant in her role and gives her character a natural charm that will win everyone over. Lee Kyu-Hyung is equally strong in his portrayal and I especially liked the adorable kid dressed as a girl (genius actor Seo Woo-jin that made me his eternal admirer with Young Lady and Gentleman).
All the characters cry very convincingly throughout, yet the writing was too weak to really amount to anything of depth and value.
Female Empowerment Score 3/5 Oh Min-Jung is a really sad character in the beginning with her tepid marriage and pseudo-motherhood but the last episode implies that it gets better and she won't be striving to fit in someone else's life. Plus points for the comradery between mothers.
I can be petty like that.
Also, I would not recommend this drama to anyone except for Lee Kyu-hyung fans (who will get the chance to see his dimples in every episode).
The story is a quirky one and starts in medias res. I was truly invested because I love discovering things little by little and, above all, I love wacky supernatural plots.
The dead coming back to the living world after time and life went on beyond them is entirely fascinating to explore as a concept (one of my favorite shows is the French drama Les Revenants). I think it is one of those what-ifs we have entertained collectively since the beginning of human experience and a fantasy that confronts us with deep reflections on death, relationships and society. Therefore, I always have great expectations when a story takes up such themes.
Despite this promising start, I feel like the writer never really committed to any of the concepts they introduced.
The trauma, grief and the bereavement we are invited to delve into seem underdeveloped, left unresolved (in my opinion May I Help You does a better job on the subject). One might argue that for most of us the loss of a loved one, in particular a traumatic and sudden loss, stays an unresolved matter for life.
Still, I watch drama to escape the harsh reality and lose myself in impossibility and parallel universes of perfectly finite stories! And I would have loved to see the characters really explore the implications of the absurdity they are facing and grow their relationships beyond the state we find them in. Instead we are constantly bombarded with new arcs, fillers and one too many emotional scenes.
That is why I felt that the pacing was off and I was bored the majority of the episodes.
I am deeply supportive of mixed tones (I am a fan of dramedy and cry laughing all the time), but there were too many failed funny-cute moments in this and, at times, it was a bit awkward.
The ghost characters in the columbarium are funny and Kim Tae-hee is brilliant in her role and gives her character a natural charm that will win everyone over. Lee Kyu-Hyung is equally strong in his portrayal and I especially liked the adorable kid dressed as a girl (genius actor Seo Woo-jin that made me his eternal admirer with Young Lady and Gentleman).
All the characters cry very convincingly throughout, yet the writing was too weak to really amount to anything of depth and value.
Female Empowerment Score 3/5 Oh Min-Jung is a really sad character in the beginning with her tepid marriage and pseudo-motherhood but the last episode implies that it gets better and she won't be striving to fit in someone else's life. Plus points for the comradery between mothers.
Vond je deze recentie nuttig?