Be Melodramatic has the chops to compete for best drama of 2019. Airing on cable network JTBC, this drama went unnoticed, and it did not help itself with a rough start. The show quickly finds its footing and delivers a drama that perfectly encapsulates a 2010s romcom. It hits on multiple progressive themes with its female leads. On top of the premise, there is a thick layer of meta comedy which will have any experienced kdrama watcher rolling in laughter. Watch Be Melodramatic, which I prematurely crown the Best of 2019.

Story:
The story comes off a bit lukewarm and light on plot. One might think it is deserving of a “slice of life” tag, but the plot of Be Melodramatic is surprisingly engaging, intertwining the drama with the drama within the drama. The sad surprise is the first three shaky episodes, to put it nicely. It really takes 4 episodes to bring the different pieces of the story together. That is why the MDL rating for Be Melodramatic has only been climbing with each week.

More important than the plot are the characters, specifically the trio of female leads. Again, the trio comes off a bit lukewarm on paper (especially in comparison to the fiery leads of another 2019 drama, Search: WWW), three women with a mashup of common quarter-life problems. Like real people, viewers need time to get to know the leads and grow to like them and their supporting cast.

As the leads strive to produce a drama with double digit ratings, Be Melodramatic struggled to surpass the 2% mark. Perhaps there is a general fatigue with the RomCom genre, but the show deserves more love. Even if the plot synopsis does not interest you, I can assure you that the meta comedy will have you goofy smiling through all 16 episodes.

Acting:
The acting in Be Melodramatic is one of the first signals that put it on my radar, the deadpan humor in the trailers and actor Ahn Jae Hong’s brand of comedy. On the other hand, the three female leads have a very short drama resume, the highlight being Argon from 2016. And what seems like a lighthearted comedy quickly turns into an acting challenge for the entire cast.

Once characters and stories are introduced, the show quickly digs deeper into each character and the different catalysts for their growth. Major props to Jeon Yeon Bin who brought her character, Lee Eun-Jung, to life.

The supporting cast also gets major screentime, even with a large “main” cast. Though they are treated with more of the lightheartedness and comedy, all of them bring an interesting, entertaining character to screen. This highlights the writer’s ability to create loveable characters and the cast’s (and casting director’s) ability to portray them.

Music:
The sound of Be Melodramatic is equally entertaining as the plot. There is a scene where the leads sing one of the OSTs, and I was dying with laughter. Be Melodramatic captures every aspect of the drama making process, including the music. Thoughtful is the word that comes top of mind when thinking back on Be Melodramatic.

However, the soundtrack of 2019 has been stellar with multiple drama OSTs topping the Korean charts, and Be Melodramatic cannot stand up to those powerhouses (looking at you, Hotel Del Luna OST). There is also a slight over-reliance on one song in particular, a song I loved, but a crutch nonetheless.

Rewatch Value:
2019 has been a solid year for Korean dramas, although I believe it rates worse than the past 3-4 years. Based on the shows currently airing and set to air in the final quarter of 2019, I can confidently say that Be Melodramatic will be top of the 2019 RomCom list. If some of the newer shows do not interest me, I might even rewatch Be Melodramatic before 2019 is over. Anyone with extra time during the 2019 holiday season, I recommend giving this drama a try.