Refreshingly Mature Topics & Go Yun. Nuff said.
Full transparency- I just came off The Fiery Priest and was absolutely FERAL to find something else Go Yun stars in. He stole every scene he was in, and I'm amazed I haven't discovered him sooner. He's got more charisma and charm in his left sock than most Idol actors I've recently seen on TV, and I'm honestly gobsmacked by him whenever he's on-screen.
OKAY- So, about the series:
I'm not typically drawn to dramedies (I'm more of a grand-scale epic saga or cerebral thriller type), but aside from Go Yun, I adore the cast; particularly, Jo Hee Bong and Park Byung Eun, and I love the more mature topics that I'm surprised to see on Korean airwaves. The series starts off in a quirky-off-kilter-type way, handling Jang Ha Ri's excessive work ethic and problematic reproductive problems with self-deprecating humor, and 2nd hand embarrassment. Jo Hee Bong's character, Chief Nam, was instantly likable and funny to me. I loved his shameless Insta comments on Han Yisang's profile to get him to get in contact. I also love how subversive the series is in handling stereotypical situations; for example, Ha Ri is faced with an uncomfortable situation at work where she wants to intercept a potentially harmful article from getting released and has to face a male peer and their boss. She handles the situation fearlessly and even throws herself onto her boss's couch to force him into complying. I thought it was funny, empowering, and a total boss move. The women in this series are independent, fierce, self-sufficient, and AWARE of their power.
Hari and Yisang have great chemistry. Especially when they bicker. Their quick retorts constantly had me cackling. Their first few interactions are rife with comedic misunderstandings. With her friends, Hari recalls a fond memory of her first meeting with Yisang, and it's depicted in her memory as a classic K-drama romance scene with slow-moving snow, and flattering nostalgic lighting, and she was completely swept off her feet when she mistook his Visine drops for tears.
"It was my first time seeing a guy cry. A guy's tears can somehow open your heart." LOLLLL.
Later, as her Chief tries to introduce the two, she takes poor advice from her friend and tries to initiate awkward small talk and {nonconsensual} skinship while Yisang squirms uncomfortably at her terrible flirting before hilariously and savagely shutting her down. Needless to say, they've gotten off on the wrong foot and I think the editing choices throughout the scenes make it so much funnier as I catch myself laughing out loud regularly without feeling like the situation is overtly ridiculous or unrealistic.
Outside of the lens of humor and silliness, there is a very real, very raw sadness that permeates our FL as she tries to have what she wants most in the world, a child. Since she was a little girl, it's all she's ever wanted. We follow her journey and her (sizzling) chemistry with Yisang throughout the series. Her platonic chemistry with the other male leads and female colleagues is also fantastic. I really have to give a lot of props to the writers, because there isn't an episode that goes by that doesn't make me laugh consistently throughout while hitting me in the feels. Time and again, it introduces a typical trope and completely flips it upside down, surprising even the most jaded K-drama viewer.
"The happiest person is a mom. Moms always smile when they see their babies. My dream is to become a mom."
It isn't just about Hari's ever-reaching journey toward motherhood. The show broadens its lens and shows us the intricate interworkings of each character and the journeys they're going through as well. What it's like as a single parent, a divorcee, an aging mother, an older bachelor afraid to start again. It's life and all of its machinations, day to day, relentless and without prejudice, while we try to surf the tide and find our way toward happiness.
I highly recommend this series, and not just because you get to look at Go Yun's face for 16 glorious hours.
OKAY- So, about the series:
I'm not typically drawn to dramedies (I'm more of a grand-scale epic saga or cerebral thriller type), but aside from Go Yun, I adore the cast; particularly, Jo Hee Bong and Park Byung Eun, and I love the more mature topics that I'm surprised to see on Korean airwaves. The series starts off in a quirky-off-kilter-type way, handling Jang Ha Ri's excessive work ethic and problematic reproductive problems with self-deprecating humor, and 2nd hand embarrassment. Jo Hee Bong's character, Chief Nam, was instantly likable and funny to me. I loved his shameless Insta comments on Han Yisang's profile to get him to get in contact. I also love how subversive the series is in handling stereotypical situations; for example, Ha Ri is faced with an uncomfortable situation at work where she wants to intercept a potentially harmful article from getting released and has to face a male peer and their boss. She handles the situation fearlessly and even throws herself onto her boss's couch to force him into complying. I thought it was funny, empowering, and a total boss move. The women in this series are independent, fierce, self-sufficient, and AWARE of their power.
Hari and Yisang have great chemistry. Especially when they bicker. Their quick retorts constantly had me cackling. Their first few interactions are rife with comedic misunderstandings. With her friends, Hari recalls a fond memory of her first meeting with Yisang, and it's depicted in her memory as a classic K-drama romance scene with slow-moving snow, and flattering nostalgic lighting, and she was completely swept off her feet when she mistook his Visine drops for tears.
"It was my first time seeing a guy cry. A guy's tears can somehow open your heart." LOLLLL.
Later, as her Chief tries to introduce the two, she takes poor advice from her friend and tries to initiate awkward small talk and {nonconsensual} skinship while Yisang squirms uncomfortably at her terrible flirting before hilariously and savagely shutting her down. Needless to say, they've gotten off on the wrong foot and I think the editing choices throughout the scenes make it so much funnier as I catch myself laughing out loud regularly without feeling like the situation is overtly ridiculous or unrealistic.
Outside of the lens of humor and silliness, there is a very real, very raw sadness that permeates our FL as she tries to have what she wants most in the world, a child. Since she was a little girl, it's all she's ever wanted. We follow her journey and her (sizzling) chemistry with Yisang throughout the series. Her platonic chemistry with the other male leads and female colleagues is also fantastic. I really have to give a lot of props to the writers, because there isn't an episode that goes by that doesn't make me laugh consistently throughout while hitting me in the feels. Time and again, it introduces a typical trope and completely flips it upside down, surprising even the most jaded K-drama viewer.
"The happiest person is a mom. Moms always smile when they see their babies. My dream is to become a mom."
It isn't just about Hari's ever-reaching journey toward motherhood. The show broadens its lens and shows us the intricate interworkings of each character and the journeys they're going through as well. What it's like as a single parent, a divorcee, an aging mother, an older bachelor afraid to start again. It's life and all of its machinations, day to day, relentless and without prejudice, while we try to surf the tide and find our way toward happiness.
I highly recommend this series, and not just because you get to look at Go Yun's face for 16 glorious hours.
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