it'll change your standard for xianxia/xuanhuan's forever: a delicious fever dream fairytale
The easiest way to describe Cang Lan Jue is as if someone plucked all of my favorite tropes from my 15-year-old brain and added loads of Renaissance and art nouveau imagery, gorgeous hair, fiery chemistry (both on screen and BTS), and a healthy dollop of physical and emotional whump.
- The writing:
It's one of the tightest, cleanest (narratively speaking) scripts I've ever seen in a cdrama. There are no superfluous storylines, the pace is engaging and well-thought-out, and there are deliciously written tie-ins and callbacks to seemingly simple gestures and actions written within the drama that consistently add layers of meaning to every little thing. Traditional tropes are written in but are often completely subverted or altered with nuance and creative flair. Those who would traditionally be evil can very well be the golden-hearted heroes. The heroes we're manipulated into believing (even the story at the very beginning of this drama lies to us and misrepresents the facts) can easily be the true face of villainy.
- The relationships and chemistry:
There are many relationships written within this drama that help drive the narrative and shed light on history's past. I fell in love with the people of Cangyan Sea, and those closest to DFQC. There isn't a single person who doesn't go through some type of hardship or self-discovery, and those we meet at the beginning of the drama have often changed several shades. Some platonic relationships are unexpected and some of the most engaging factors of joy, especially in the mortal realm arc. The love story between DFQC (fondly referred to as Moon from here on out) and Orchid is the greenest, most wholesome, and healthy relationship I've ever seen in a cdrama. Hands down (I'm lookin' at you, Cheng Yi dramas!) They fill the holes in places the other lacks, and their relationship is rooted in tacit understanding, mutual love, and an unyielding acceptance of each other's true, most bare colors. I became inexplicably attached to their journey. Their chemistry is palpable, both on screen and behind the scenes. Once their relationship is established, there is nary a scene when they're not hand-in-hand or kissing (and the kisses- oh my god!!! no fish kisses here). I particularly enjoyed the special attention to detail with hands and clothing in terms of a visual representation of their relationship and an outer reflection of their inner selves.
- The AESTHETICS *surpassed by no other cdrama I've ever seen*:
Every realm is uniquely detailed and fleshed out, from makeup to forms of magic used to costumes, interior design, architecture, and customs. I haven't been this impressed with world-building since I first watched The Lord of The Rings. A lot of money and thought has gone into this drama, it's blatantly evident within the first episode, and I couldn't stop myself from pausing scenes just to marvel at the live-action art (literally, there is a scene where two immortals are leisurely enjoying wine on a boat, from within an actual painting, and they've been reduced to brush strokes). Arbiter Hall and the forests within Shuiyuntian gave me a lot of Rivendell vibes, especially with the ethereal coloring and iridescent armor. Cangyan Sea (Moon's realm and home) has rich and sophisticated velvet textures, gilded detailing, and layers of deep colors that represent their people's storied history and Moon's enigmatic personality. I was particularly awe-struck by Moon's entire visual. From head to toe, he's a very carefully detailed and supremely handsome character. He's got the nicest hair in cdrama land (or anywhere), and costumes/armor pieces that are flattering and reflective of his inner self. I particularly love his black and gold ensemble, with the gilded gold flares on the sleeves. Devastatingly gorgeous. None of the artistic styles and set design concepts would have been able to properly live and breathe on screen without the equally masterful cinematography, makeup, and lighting. These departments knew exactly what they were doing.
-Acting and OST:
Beautiful OST. Handomsly lends to every scene, particularly scenes between our CP. I also love the atmospheric OST, especially the incredibly eerie track that played whenever an evil spirit or antagonist entered the scene. It always sent chills up my spine.
Favorite tracks:
1. The Other Side - Jing Long, Jing Di Er *every time this track came on, I was a heaving mess.
2. Remaining Love - Zhou Shen *He can never do wrong.
2. Goodbye Love- Faye
I'm particularly proud of Dylan Wang's performance through Cang Lan Jue. Although I've always been fond of him, he's come a long way since his highly criticized performance in Miss The Dragon. He's able to master his facial expressions with very natural and organic body language within each scene; he's particularly strong with his cutesy moments during the body swap hijinks and comes out *very* strong during demanding emotional scenes. His performance during the angst moments in this drama cannot be overstated. He embodies his role as Moon, and the pain that emanates is visceral, profound, and deep. I couldn't help but cry with and for him in those moments. The behind-the-scenes videos of these moments show how deeply he immersed himself in his role, unable to extricate himself easily after the director says "cut." Truly devastatingly gorgeous work. I hope this drama lands him many new rules; it's well deserved.
Orchid is a wonderfully written character that pairs beautifully with our dark and gloomy Moon supreme. I'm glad I didn't allow Esther Yu's higher-pitched voice to deter me from watching the drama. Her voice may turn off some from watching, but I found her endearing fairly quickly. Her character has a lot of growth and a huge heart; it's easy to find reasons to like her, and her voice does change quite a bit throughout the drama.
This isn't your standard cdrama xianxia/xuanhuan fantasy drama. It's not another Cheng Yi drama (although, lord, do I have a soft spot for our "King of Whump."). This drama is like a cleverly and cleanly written fantasy bedtime story, with whimsical demons and fairies and good and evil from the most unexpected places. It's worth every 10-star review it's received.
- The writing:
It's one of the tightest, cleanest (narratively speaking) scripts I've ever seen in a cdrama. There are no superfluous storylines, the pace is engaging and well-thought-out, and there are deliciously written tie-ins and callbacks to seemingly simple gestures and actions written within the drama that consistently add layers of meaning to every little thing. Traditional tropes are written in but are often completely subverted or altered with nuance and creative flair. Those who would traditionally be evil can very well be the golden-hearted heroes. The heroes we're manipulated into believing (even the story at the very beginning of this drama lies to us and misrepresents the facts) can easily be the true face of villainy.
- The relationships and chemistry:
There are many relationships written within this drama that help drive the narrative and shed light on history's past. I fell in love with the people of Cangyan Sea, and those closest to DFQC. There isn't a single person who doesn't go through some type of hardship or self-discovery, and those we meet at the beginning of the drama have often changed several shades. Some platonic relationships are unexpected and some of the most engaging factors of joy, especially in the mortal realm arc. The love story between DFQC (fondly referred to as Moon from here on out) and Orchid is the greenest, most wholesome, and healthy relationship I've ever seen in a cdrama. Hands down (I'm lookin' at you, Cheng Yi dramas!) They fill the holes in places the other lacks, and their relationship is rooted in tacit understanding, mutual love, and an unyielding acceptance of each other's true, most bare colors. I became inexplicably attached to their journey. Their chemistry is palpable, both on screen and behind the scenes. Once their relationship is established, there is nary a scene when they're not hand-in-hand or kissing (and the kisses- oh my god!!! no fish kisses here). I particularly enjoyed the special attention to detail with hands and clothing in terms of a visual representation of their relationship and an outer reflection of their inner selves.
- The AESTHETICS *surpassed by no other cdrama I've ever seen*:
Every realm is uniquely detailed and fleshed out, from makeup to forms of magic used to costumes, interior design, architecture, and customs. I haven't been this impressed with world-building since I first watched The Lord of The Rings. A lot of money and thought has gone into this drama, it's blatantly evident within the first episode, and I couldn't stop myself from pausing scenes just to marvel at the live-action art (literally, there is a scene where two immortals are leisurely enjoying wine on a boat, from within an actual painting, and they've been reduced to brush strokes). Arbiter Hall and the forests within Shuiyuntian gave me a lot of Rivendell vibes, especially with the ethereal coloring and iridescent armor. Cangyan Sea (Moon's realm and home) has rich and sophisticated velvet textures, gilded detailing, and layers of deep colors that represent their people's storied history and Moon's enigmatic personality. I was particularly awe-struck by Moon's entire visual. From head to toe, he's a very carefully detailed and supremely handsome character. He's got the nicest hair in cdrama land (or anywhere), and costumes/armor pieces that are flattering and reflective of his inner self. I particularly love his black and gold ensemble, with the gilded gold flares on the sleeves. Devastatingly gorgeous. None of the artistic styles and set design concepts would have been able to properly live and breathe on screen without the equally masterful cinematography, makeup, and lighting. These departments knew exactly what they were doing.
-Acting and OST:
Beautiful OST. Handomsly lends to every scene, particularly scenes between our CP. I also love the atmospheric OST, especially the incredibly eerie track that played whenever an evil spirit or antagonist entered the scene. It always sent chills up my spine.
Favorite tracks:
1. The Other Side - Jing Long, Jing Di Er *every time this track came on, I was a heaving mess.
2. Remaining Love - Zhou Shen *He can never do wrong.
2. Goodbye Love- Faye
I'm particularly proud of Dylan Wang's performance through Cang Lan Jue. Although I've always been fond of him, he's come a long way since his highly criticized performance in Miss The Dragon. He's able to master his facial expressions with very natural and organic body language within each scene; he's particularly strong with his cutesy moments during the body swap hijinks and comes out *very* strong during demanding emotional scenes. His performance during the angst moments in this drama cannot be overstated. He embodies his role as Moon, and the pain that emanates is visceral, profound, and deep. I couldn't help but cry with and for him in those moments. The behind-the-scenes videos of these moments show how deeply he immersed himself in his role, unable to extricate himself easily after the director says "cut." Truly devastatingly gorgeous work. I hope this drama lands him many new rules; it's well deserved.
Orchid is a wonderfully written character that pairs beautifully with our dark and gloomy Moon supreme. I'm glad I didn't allow Esther Yu's higher-pitched voice to deter me from watching the drama. Her voice may turn off some from watching, but I found her endearing fairly quickly. Her character has a lot of growth and a huge heart; it's easy to find reasons to like her, and her voice does change quite a bit throughout the drama.
This isn't your standard cdrama xianxia/xuanhuan fantasy drama. It's not another Cheng Yi drama (although, lord, do I have a soft spot for our "King of Whump."). This drama is like a cleverly and cleanly written fantasy bedtime story, with whimsical demons and fairies and good and evil from the most unexpected places. It's worth every 10-star review it's received.
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