I liked two things about this show. The soulful side plots and how brilliant Seo Yea Ji is in it. The whole animated cuteness, innovative camera work, comedy to both heighten and lighten the serious tone and a journey of a few troubled soul to find happiness in a goth fairytale package is mostly fun and moving at its peak. But it's way simpler than I expected, more melodramatic than I prefer and a little short of deserving all the hype imo. The acting was superb. Characters are fun. The tonal transitions from comedy to drama are really smooth. The hospital director, Juri, Mu Young's publisher are such good supporting characters, so good that this drama feels full of good things, but as you can imagine, there's a 'but'. Despite the good parts, the melodrama sometimes cheapens the story. And the one character I was constantly annoyed with is Gang Tae. He is really important to the plot and offers many emotional scenes and it's not that the actor failed to deliver but his self-pity is colossal?. Half the drama he spends feeling sorry for himself, running and pretending. I just couldn't like him. I read that many found Mu Young rude and psychotic in an unlikable way, but she was perfect, she is larger than life by design and contrary to her character detail shows more emotions, maturity (especially when it matters) and longing to connect. Gang Tae keeps rejecting. I'd call her unrestrained interest in Gang Tae unacceptable obsession if he didn't reciprocate her madness in his passive regressive style. The melodrama too ruins the show, Gang Tae is shocked to find out the culprit (even though we viewers are not?), his face is displayed from all directions for 5 minutes?. And in what age are we living to hold children responsible for the crimes of their parents? Their emotional excessiveness was about such a futile point that it lost gravity. This drama could've been 12 episodes imo. But let's applaud Seo Yea Ji again, for bringing an imposing, soul seeing, lonely yet liberatingly free goth figurine together with a childish, thirsty for love, 'easy' to please comedic rendition of someone so abused. Sang Tae too was a very complimentary counterpart to her, and the actor is really enmeshed brilliantly with the character. It's okay, but the ending did not sweep me off my feet or the message; the harmony, the theme, the tune - I really appreciated but the sum of it - not so much. It's still really good for the amazing parts it's made of. A solid 8.