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Age of Youth korean drama review
Voltooid
Age of Youth
5 mensen vonden deze beoordeling nuttig
by Alex
mrt 10, 2017
12 van 12
Voltooid
Geheel 9.0
Verhaal 8.0
Acting/Cast 9.0
Muziek 9.0
Rewatch Waarde 9.0
First of all, the number one reason to watch Age of Youth is that it's the rare k-drama that's entirely female-driven and, on top of that, isn't driven by romance. Of course, there are plenty of great k-dramas out there where women drive the plot; in those stories, though, the female protags usually share equal space with male leads. And there are a few gems I've come across that aren't about romance, but these examples are very much male-driven (Misaeng, SUFBB, White Christmas — all of these shows respect their women, but none of them are *about* the women). Age of Youth, however, is an anomaly in revolving around a main female ensemble with all male characters being pushed down to supporting character rank (just check out the cast list here). This is in itself is a little bit momentous, and it's the kind of thing there should be more of. Don't get me wrong, in general you can count on k-dramas for female characters with points-of-view. Still, the bulk of them follow the YA novel tradition of revolving around *one* girl, meaning that relationships between different women are rarely fleshed out (or at least, not as fleshed out as that of the female lead/male leads). Age of Youth, however, isn't about one girl. It's about five girls — five girls with their own inner lives, goals, and ghosts-in-the-closet (thanks to Jiwon for that unnecessarily dramatic metaphor). These stories might feature romantic subplots, but they're not the main event. The way these girls relate to one another is the real emotional core of the series. Since I've sung my praise, for the sake of fairness I'll touch on a couple of the show's weaknesses. Being such a short drama, AOY is definitely hurt by trying to do too much with a lack of time. The upshot is it suffers from the typical ensemble show problem of uneven character work. While some arcs are fully realised and flawlessly constructed (particularly, the growth of Hwayoung's character), a couple of others sadly fall to the wayside. (Han Seungyeon's character is the most egregious. If I didn't know there'll be a season two, I'd find the lack of time given for Ye Eun's post-traumatic arc absolutely unforgivable. Since there *will* be a season two, though, I aggressively expect this to be the #1 priority.) My other gripe is about tonal inconsistency. Again with the trying to do too much, AOY teeters between realistic slice-of-life and... dark psychological thriller? Let it be said that it's much more successful at the former. Some of the darker story-lines work because they're *character-driven* (again, not sorry about Yina's narrative), but most of the show's dips into other genres are unfortunately half-baked. Considering that lack of time thing, AOY would have been more cohesive by cutting the excess. THAT BEING SAID, these flaws stick out only because AOY is so quality in every other way. If you want a drama that actually cares about women's stories (and why wouldn't you), you arguably can't do better than Age of Youth.
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