TiagoFerreira
Rio, Brasil
Deze recentie kan spoilers bevatten
A turning point for GMM BL series, but not a masterpiece
Most people loved this series, but I don't like it so much. One of the main reasons is the acting. Many people might hate me for saying that, but Earth's performance is far inferior to Mix's. I really cannot feel much sympathy for Phupha. I don't hate him, but I don't like him either. He causes me indifference, which is a problem in a series that depends on its main characters so much.
Although people say 1000 Stars is a mature series, it looks like more a fairy tale. When I think about a mature movie or series, fairy tales don't come to my mind. A mature series explore real issues faced by adults. This series is not like that. The main purpose here is to make the audience emotional to Tian's redemption story. It is true that we are presented to the struggle of the poor villagers, but this is more to develop Tian's character other than denouncing or reflecting on North Thailand's social issues. If they had explored the social problem more seriously, maybe we could consider it a mature series. Poverty here is portrayed in a very romanticized way. It doesn't seem real. The plight of the villagers are not developed and the difficulties faced by Tian in the village are there to emphasize his redemption arc, not to give life to any hidden social dilemma. All the community's suffering is more a background to the development of Tian & Phupha's romance. Even the conflict with the weapon/drug dealers is easily solved. If the solution was only calling the police and leading an armed attack on the bad guys' settlement, why have they never done this before?
But it is ok, a TV show doesn't need to be mature to be good. I just expected more from 1000 Stars. The production is better than other GMM series, but it is still inferior to Nadao, for example. Some scenes are embarrassingly unrealistic, such as the drowning of the school kid in episode 2. Other scenes are simply cringe, such as the episode where the villagers and Tian observe a sexual performance inside a wooden house. This kind of comedic moments were a turn off. I would have preferred if they explored more the psychology of the characters. Phupha, for instance, is an unidimensional character. It is difficult to develop a realistic romance when one of the characters is so plain and shallow.
Finally, I disliked a lot the way they treated Tian's crimes. He organized a street race and gave his car to the killer. According to Thai law, he should be prosecuted. I have the feeling that the plot justifies a very bad underlying moral in Thai society: the rich ones only need to make a "social work/charity" to get away with their crimes, no matter what they did. No one ends up behind bars. If you are curious about what I am saying here, search for Orachorn “Praewa” Thephasadin's case. It happened in 2010 and it is a very good example of how rich young Thai people can do whatever they want and get away with it .
If you pay attention, the main ideia here is: a rich boy causes someone else's death. Through a series of criminal tricks, his family gets the heart of the girl who was indirectly killed by their son and gives the boy the heart of the same girl the boy helped to kill. Then, the boy gets away with all his crimes, devotes part of his life to help the poor villagers, pays for his karma and gets a price: a hot boyfriend.
No justice for Torfun at all.
In sum, it is an interesting GMM series. Much better than the average for a series from this TV channel, but not the masterpiece it could have been.
Although people say 1000 Stars is a mature series, it looks like more a fairy tale. When I think about a mature movie or series, fairy tales don't come to my mind. A mature series explore real issues faced by adults. This series is not like that. The main purpose here is to make the audience emotional to Tian's redemption story. It is true that we are presented to the struggle of the poor villagers, but this is more to develop Tian's character other than denouncing or reflecting on North Thailand's social issues. If they had explored the social problem more seriously, maybe we could consider it a mature series. Poverty here is portrayed in a very romanticized way. It doesn't seem real. The plight of the villagers are not developed and the difficulties faced by Tian in the village are there to emphasize his redemption arc, not to give life to any hidden social dilemma. All the community's suffering is more a background to the development of Tian & Phupha's romance. Even the conflict with the weapon/drug dealers is easily solved. If the solution was only calling the police and leading an armed attack on the bad guys' settlement, why have they never done this before?
But it is ok, a TV show doesn't need to be mature to be good. I just expected more from 1000 Stars. The production is better than other GMM series, but it is still inferior to Nadao, for example. Some scenes are embarrassingly unrealistic, such as the drowning of the school kid in episode 2. Other scenes are simply cringe, such as the episode where the villagers and Tian observe a sexual performance inside a wooden house. This kind of comedic moments were a turn off. I would have preferred if they explored more the psychology of the characters. Phupha, for instance, is an unidimensional character. It is difficult to develop a realistic romance when one of the characters is so plain and shallow.
Finally, I disliked a lot the way they treated Tian's crimes. He organized a street race and gave his car to the killer. According to Thai law, he should be prosecuted. I have the feeling that the plot justifies a very bad underlying moral in Thai society: the rich ones only need to make a "social work/charity" to get away with their crimes, no matter what they did. No one ends up behind bars. If you are curious about what I am saying here, search for Orachorn “Praewa” Thephasadin's case. It happened in 2010 and it is a very good example of how rich young Thai people can do whatever they want and get away with it .
If you pay attention, the main ideia here is: a rich boy causes someone else's death. Through a series of criminal tricks, his family gets the heart of the girl who was indirectly killed by their son and gives the boy the heart of the same girl the boy helped to kill. Then, the boy gets away with all his crimes, devotes part of his life to help the poor villagers, pays for his karma and gets a price: a hot boyfriend.
No justice for Torfun at all.
In sum, it is an interesting GMM series. Much better than the average for a series from this TV channel, but not the masterpiece it could have been.
Vond je deze recentie nuttig?
