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Epos, drama & national frustration with impact – about the birthing era of Korean nationalism
"Bridal Mask" is a South Korean variety of Zorro - in this case hiding behind a historical Hahoetal ceremonial mask used in Korean tradition for satirical theater and shamanistic rites. The avenger of Japanese oppression hides behind the classic mask 'Gaksital', which symbolizes an innocent bride.
This brings us to the central theme around which the dramaturgical web was spun: Korea's time under Japanese protectorate (1905-1910) and the annexation as a Japanese colony that followed a few years later (1910-1945). In this context, this KDrama has a lot to do with national self-image of the Korean people, which is still formative today. (If you are interested: See Side Note below.)
Accordingly, "Bridal Mask" was very successful as a KDrama and was extended by 4 episodes due to its success.
"Bridal Mask" is about the desperate attempt of the oppressed population to counteract the notorious oppression of the Japanese tormentors. As the story progresses, the rather inexcusably conformist anti-hero becomes the avenger of the downtrodden, whereas the once benevolent, noble, antirassist teacher becomes the unscrupulous avenging angel. The daughter of a Korean resistance fighter provides explosive fuel, turning best friends into bitter opponents and rivals for the heart of their beloved. Everything becomes dramatic in the highest degree - the romance, the bromance, as well as the resistance struggle against brutal oppressors, with or without bridal mask.
'Gaksital' squeaks into the most diverse excesses of Japanese tyranny, above all: torture as a common method of interrogation. The hero also thwarts the insidious with false promises recruited young women as sex slaves or comfort women for the Japanese soldiers. Finally, by his activities his compatriots are also encouraged to engage in civil disobedience.
The tyrannical, ruthless attacks of the colonial masters are historically documented. Active resistance from the population as well. However, the actual plot of the KDrama is completely fictitious: A Zorro-like swordsman behind a traditional bridal mask is not known. Also, at the time of the Japanese invasion, Joseon was already severely weakened politically. In this case, the assassination of the head of state is poetic liberty. (At the time of the emperor´s actual death in 1919, the country had already been a colony for 4 years.) Finally, the secret organization of the ´Kishokai´ and their vision for a greater Japanese empire are fictitious. This Kishokai did not exist. However, there is a kernel of truth in it, because ultra-nationalist secret societies, especially those associated with Japanese military, apparently existed actually.
Overall, the K-Drama brings a black chapter of painful Korean history with epic impact and highly dramatic emotional entanglements back to life. Eventually, the memory is perhaps still so painful, because it wasn't all that long ago. To date, there has been no reparation, remorse, or at least acknowledgment from the Japanese side for the suffering inflicted.
Japanese colonial rule is inseparably interwoven with the very special Korean national pride, because this period marks the birth of Korean nationalism in the first place. And the KDrama builds on that. "Bridal Mask" in that sense is first and foremost a highly Korean production for a Korean audience. (Nevertheless it is obviously gripping for an audience with other national backgrounds, too.)
By the way, it may also be no coincidence that the series aired on TV in 2012, when the Korean government first formally asked Japanese Emperor Akihito for an apology...
----------------- SIDENOTE: --- Romantic Korean nationalism ---
Whether Goryeo or Joseon, since the tribes of the peninsula were united under one ruling dynasty, the people lived largely introverted and rather isolated from the rest of the world until the late 19th century. Here and there the borders have always had to be defended against invaders or retaken, but the people on the peninsula had nevertheless remained adamant and had not actually actively mixed with others. Today, there is often talk of 'pure ethnic blood', which provides the breeding ground for a more romantically (vs. civic) tinged national identity: A Korean usually feels descended directly from the original ancestors. Consequently, a Korean will typically identify first with his/her ethnic roots and only then, at some point, as a citizen of the Republic of Korea.
This very special national identity was directly born out of the developments associated with the opening of the country and an increasing international presence at the end of the 19th century. On the one hand there was hope for flourishing trade and technical innovation, on the other hand suddenly the USA, along with China, Japan and Russia, also wanted a piece of the pie and - more or less aggressively and consistently - took advantage of the opportunity and sometimes also inexperienced naivety of Joseon. As a result, resistance formed and the nationalist struggle for independence was born. It was necessary to use all conceivable means to preserve the nation´s autonomy and to protect the heart of Korean culture from invasions and encroachments by foreign nations. Particularly, resistance was directed against Japan's ruthless interventions in robbing the Korean people of their language, their own names, their religion and their dignity. Japan's declared goal was to discriminate against the Korean people and to assimilate them by any means (... and Japan wasn´t even squeamish with its own civilian population, being known for its brutality...).
At that time, Japan had deployed an omnipresent, almost overwhelming military and police presence that can hardly be compared with European imperialism as we (i.e. Europeans, as I am) know it. Hardly a day went by when the invaders did not have direct, mostly deliberately humiliating contact with the civilian population. So 4 traumatic decades can become a very long time...
This national frustration, pain and anger is still formative in the collective emotional memory. With "Bridal Mask",this receives a contemporary emotional safety valve in KDrama guise.
-----------------------------------------------------
This brings us to the central theme around which the dramaturgical web was spun: Korea's time under Japanese protectorate (1905-1910) and the annexation as a Japanese colony that followed a few years later (1910-1945). In this context, this KDrama has a lot to do with national self-image of the Korean people, which is still formative today. (If you are interested: See Side Note below.)
Accordingly, "Bridal Mask" was very successful as a KDrama and was extended by 4 episodes due to its success.
"Bridal Mask" is about the desperate attempt of the oppressed population to counteract the notorious oppression of the Japanese tormentors. As the story progresses, the rather inexcusably conformist anti-hero becomes the avenger of the downtrodden, whereas the once benevolent, noble, antirassist teacher becomes the unscrupulous avenging angel. The daughter of a Korean resistance fighter provides explosive fuel, turning best friends into bitter opponents and rivals for the heart of their beloved. Everything becomes dramatic in the highest degree - the romance, the bromance, as well as the resistance struggle against brutal oppressors, with or without bridal mask.
'Gaksital' squeaks into the most diverse excesses of Japanese tyranny, above all: torture as a common method of interrogation. The hero also thwarts the insidious with false promises recruited young women as sex slaves or comfort women for the Japanese soldiers. Finally, by his activities his compatriots are also encouraged to engage in civil disobedience.
The tyrannical, ruthless attacks of the colonial masters are historically documented. Active resistance from the population as well. However, the actual plot of the KDrama is completely fictitious: A Zorro-like swordsman behind a traditional bridal mask is not known. Also, at the time of the Japanese invasion, Joseon was already severely weakened politically. In this case, the assassination of the head of state is poetic liberty. (At the time of the emperor´s actual death in 1919, the country had already been a colony for 4 years.) Finally, the secret organization of the ´Kishokai´ and their vision for a greater Japanese empire are fictitious. This Kishokai did not exist. However, there is a kernel of truth in it, because ultra-nationalist secret societies, especially those associated with Japanese military, apparently existed actually.
Overall, the K-Drama brings a black chapter of painful Korean history with epic impact and highly dramatic emotional entanglements back to life. Eventually, the memory is perhaps still so painful, because it wasn't all that long ago. To date, there has been no reparation, remorse, or at least acknowledgment from the Japanese side for the suffering inflicted.
Japanese colonial rule is inseparably interwoven with the very special Korean national pride, because this period marks the birth of Korean nationalism in the first place. And the KDrama builds on that. "Bridal Mask" in that sense is first and foremost a highly Korean production for a Korean audience. (Nevertheless it is obviously gripping for an audience with other national backgrounds, too.)
By the way, it may also be no coincidence that the series aired on TV in 2012, when the Korean government first formally asked Japanese Emperor Akihito for an apology...
----------------- SIDENOTE: --- Romantic Korean nationalism ---
Whether Goryeo or Joseon, since the tribes of the peninsula were united under one ruling dynasty, the people lived largely introverted and rather isolated from the rest of the world until the late 19th century. Here and there the borders have always had to be defended against invaders or retaken, but the people on the peninsula had nevertheless remained adamant and had not actually actively mixed with others. Today, there is often talk of 'pure ethnic blood', which provides the breeding ground for a more romantically (vs. civic) tinged national identity: A Korean usually feels descended directly from the original ancestors. Consequently, a Korean will typically identify first with his/her ethnic roots and only then, at some point, as a citizen of the Republic of Korea.
This very special national identity was directly born out of the developments associated with the opening of the country and an increasing international presence at the end of the 19th century. On the one hand there was hope for flourishing trade and technical innovation, on the other hand suddenly the USA, along with China, Japan and Russia, also wanted a piece of the pie and - more or less aggressively and consistently - took advantage of the opportunity and sometimes also inexperienced naivety of Joseon. As a result, resistance formed and the nationalist struggle for independence was born. It was necessary to use all conceivable means to preserve the nation´s autonomy and to protect the heart of Korean culture from invasions and encroachments by foreign nations. Particularly, resistance was directed against Japan's ruthless interventions in robbing the Korean people of their language, their own names, their religion and their dignity. Japan's declared goal was to discriminate against the Korean people and to assimilate them by any means (... and Japan wasn´t even squeamish with its own civilian population, being known for its brutality...).
At that time, Japan had deployed an omnipresent, almost overwhelming military and police presence that can hardly be compared with European imperialism as we (i.e. Europeans, as I am) know it. Hardly a day went by when the invaders did not have direct, mostly deliberately humiliating contact with the civilian population. So 4 traumatic decades can become a very long time...
This national frustration, pain and anger is still formative in the collective emotional memory. With "Bridal Mask",this receives a contemporary emotional safety valve in KDrama guise.
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