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Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!
Set in a jaunty kaleidoscope of relationships, friendships, brothers in arms, blood ties, loyalty, heroism and heartbreak, the time of King Yeongjo, Crown Prince Sado and King Jeongjo is epicly (for a 2011 series production) portrayed.
"Warrior Baek Dong Soo" is full of fun, martial arts and of course: drama. There is politics, too, yes, butteh KDrama is definitely more on the drama and action side. I benevolently ignored some daring storytelling details and the selectively very optimistic choreographic freedom in the heroic staging. "Warrior Baek Dong Soo" balances between history and entertainment, between epic scope and personal tragedy, between deep, dramatic emotionality and airy, playful, humorous, good mood. The KDrama finds a rousing swell, in which the emotional waves are allowed to splash from all directions - with a story that sails between historically memorable facts, legendary heroes, steep (but by no means absurd) hypotheses, and colorful dramaturgical freedom. It offers great entertainment thanks to an exceptionally strong presence of all actors - whether young or old.
Baek Dong-soo himself is wonderfully portrayed by Yoo Jin-goo (young) and Ji Chang-wook (adult) in the sense of a largely impulsive jester who wears his heart on his sleeve. On the other hand, there is the introverted, somehow tragic, always serious and withdrawn Yeo Woon (Yoo Seung-ho as an adult and Park Gun-woo as a boy). The demanding life of the young warriors is sweetened by the unique charms of Hwang Jin-joo (cheeky, tomboyish: Yoon So-yi) and Yoo Ji-sun (stoic, reserved: Shin Hyun-bin). The by now veteran acting legend Choi Min-su as assassin lord in gothic style gives his very personal flavor throughout the 29-episodes long ride through time. And quite a few more there are.
In this KDrama it is rather the dramatic love story and love triangle of the older generation that pushes itself emotionally to the fore than that of the younger generation. This is probably due to the fact that Baek Dong-soo's generation is more dominated by humor and a cheeky mouth that wants to take on fate, while the older generation is dominated by the decades-long heavy burden of overwhelming life experience.
The historical hook of "Warrior Baek Dong Soo" is (as the title suggests) Baek Dong-soo, who went down in history as a heroic swordsman legend. He was one of three authors of the 'Muye Dobo Tongji' (= Illustrated Manual of Martial Arts), which is now officially classified World Heritage. This four-volume work summarizes the common weapon techniques of the Joseon period. (The book gained its extraordinary importance as a rare, valuable historical source on military affairs and Joseon martial arts, since older works fell victim to the destructive Qing invasions from the north.) However, swordsman Back Dong-soo first of all became legendary because he repeatedly saved King Jeongjo from being assassinated. And this juxtaposition of swordsmen serving the king versus assassins serving a however motivated client, originally inspired the 2010 KDrama comic entitled Honorable Back-Dong-soo.
The KDrama "Warrior Baek Dong Soo" thus also contrasts swordsmen and assassins - in terms of their ethics, their loyalty, their code, their mission, their training, their emotional world. This ambivalent and tragic dynamic makes the 29 episodes going and the time spent watching it worthwhile. They are so similar and yet they are worlds apart. One has to protect, the other has to kill. And yet, he who kills also protects. And yet, he who protects also kills. Both are henchmen. Both give everything. Risk everything. They're simply on different sides. Depending on the situation, the act of the swordsman is considered correct and honorable, while that of the assassin is considered a crime and vile. In my opinion, the KDrama reveals one of its strongest moments in the emotional explosiveness of the fatal bond between the first swordsman and the leading assassin lord (each of their own generation). They are so close emotionally and yet they live in different worlds: One in the light open, the other in secret. In tried and tested KDrama manner, the 'bad guys' (assassins) once again - despite the concentrated ambivalence of their characters - play their way taciturnly, but effectively into the hearts of the audience.
The framework for the plot is in beautiful continuity provided by sword fights and political intrigues. The flesh is made of fatal, ambivalent, intense relationship ties and feuds between the protagonists. History sets the direction. Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!
---------------------------------------------------------
Historical SIDE NOTE: --- Yangban of Joseon in the 18th century between conservative thinking and reformist, modern impulses. ---
The historical background of KDrama is shaped by three memorable decendants of the Joseon Dynasty. King Yeongjo, who holds the record-breaking 52-year reign on the throne, Crown Prince Sado, who went down in history as a tragic, possibly greatly misunderstood figure, and his son, who contributed to peace and prosperity as King Jeongjo. In addition to the serious efforts of the two kings for stability and progress, there are the divided camps among the nobles who fight by all means for their supremacy in political and social affairs.
Between 1674 and 1689 the Namin (Easterners) steered the administration of the country in their interests, followed by the Seoin (Westerners), who then entangled their position of power in disputes: the Noron representing the old, strict, conservative neo-Confucian doctrine and the Soron fighting for a new, modern, reformist, practice-oriented doctrine (Sirhak). It was probably King Yeongju's merit that despite the massive differences, the balance of power between the camps was well balanced for a long time. However, the price he had to pay for reasonably stable living conditions in the empire was his son, Crown Prince Sado, who favoured modern teaching and thus provoked the Noron. At least that is how one historical theory interprets the dramatic events surrounding Sado, who is said to have died locked in a box. The KDrama follows this theory (and not the annals, that present Sado as falling into insanity that could no longer be curbed, or a third theory that suspects a massive father-son conflict as the cause).
So, in line with the theory, which sees Sado as a progressive, reformist spirit, who wants to liberate his country from the supremacy of the Qing, "Warrior Baek Dong Soo" tells the story of the loyal followers of the ruling family, who are skilled in martial arts, and how King Jeongjo wants to live up to his father's modern visions. In doing so, with an open attitude the young king, too, always chose a balance and thus continued the proven political strategy of his grandfather, who in doing was able to stay alive more than half a century. In this way, King Jeongjo succeeded in the 24 years of his reign between 1776 and 1800 in building the Hwaseong Fortress as the center of his reign, in advancing education and science, in optimizing national defense and in creating the Royal National Library of Gyujanggak. However, he could never be sure of his life... at least seven assassination attempts alone during his first year in power are historically recorded. ... A striking reflection of the massive resistance against the attempted modernization of thinking in Yangban circles.
"Warrior Baek Dong Soo" is full of fun, martial arts and of course: drama. There is politics, too, yes, butteh KDrama is definitely more on the drama and action side. I benevolently ignored some daring storytelling details and the selectively very optimistic choreographic freedom in the heroic staging. "Warrior Baek Dong Soo" balances between history and entertainment, between epic scope and personal tragedy, between deep, dramatic emotionality and airy, playful, humorous, good mood. The KDrama finds a rousing swell, in which the emotional waves are allowed to splash from all directions - with a story that sails between historically memorable facts, legendary heroes, steep (but by no means absurd) hypotheses, and colorful dramaturgical freedom. It offers great entertainment thanks to an exceptionally strong presence of all actors - whether young or old.
Baek Dong-soo himself is wonderfully portrayed by Yoo Jin-goo (young) and Ji Chang-wook (adult) in the sense of a largely impulsive jester who wears his heart on his sleeve. On the other hand, there is the introverted, somehow tragic, always serious and withdrawn Yeo Woon (Yoo Seung-ho as an adult and Park Gun-woo as a boy). The demanding life of the young warriors is sweetened by the unique charms of Hwang Jin-joo (cheeky, tomboyish: Yoon So-yi) and Yoo Ji-sun (stoic, reserved: Shin Hyun-bin). The by now veteran acting legend Choi Min-su as assassin lord in gothic style gives his very personal flavor throughout the 29-episodes long ride through time. And quite a few more there are.
In this KDrama it is rather the dramatic love story and love triangle of the older generation that pushes itself emotionally to the fore than that of the younger generation. This is probably due to the fact that Baek Dong-soo's generation is more dominated by humor and a cheeky mouth that wants to take on fate, while the older generation is dominated by the decades-long heavy burden of overwhelming life experience.
The historical hook of "Warrior Baek Dong Soo" is (as the title suggests) Baek Dong-soo, who went down in history as a heroic swordsman legend. He was one of three authors of the 'Muye Dobo Tongji' (= Illustrated Manual of Martial Arts), which is now officially classified World Heritage. This four-volume work summarizes the common weapon techniques of the Joseon period. (The book gained its extraordinary importance as a rare, valuable historical source on military affairs and Joseon martial arts, since older works fell victim to the destructive Qing invasions from the north.) However, swordsman Back Dong-soo first of all became legendary because he repeatedly saved King Jeongjo from being assassinated. And this juxtaposition of swordsmen serving the king versus assassins serving a however motivated client, originally inspired the 2010 KDrama comic entitled Honorable Back-Dong-soo.
The KDrama "Warrior Baek Dong Soo" thus also contrasts swordsmen and assassins - in terms of their ethics, their loyalty, their code, their mission, their training, their emotional world. This ambivalent and tragic dynamic makes the 29 episodes going and the time spent watching it worthwhile. They are so similar and yet they are worlds apart. One has to protect, the other has to kill. And yet, he who kills also protects. And yet, he who protects also kills. Both are henchmen. Both give everything. Risk everything. They're simply on different sides. Depending on the situation, the act of the swordsman is considered correct and honorable, while that of the assassin is considered a crime and vile. In my opinion, the KDrama reveals one of its strongest moments in the emotional explosiveness of the fatal bond between the first swordsman and the leading assassin lord (each of their own generation). They are so close emotionally and yet they live in different worlds: One in the light open, the other in secret. In tried and tested KDrama manner, the 'bad guys' (assassins) once again - despite the concentrated ambivalence of their characters - play their way taciturnly, but effectively into the hearts of the audience.
The framework for the plot is in beautiful continuity provided by sword fights and political intrigues. The flesh is made of fatal, ambivalent, intense relationship ties and feuds between the protagonists. History sets the direction. Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!
---------------------------------------------------------
Historical SIDE NOTE: --- Yangban of Joseon in the 18th century between conservative thinking and reformist, modern impulses. ---
The historical background of KDrama is shaped by three memorable decendants of the Joseon Dynasty. King Yeongjo, who holds the record-breaking 52-year reign on the throne, Crown Prince Sado, who went down in history as a tragic, possibly greatly misunderstood figure, and his son, who contributed to peace and prosperity as King Jeongjo. In addition to the serious efforts of the two kings for stability and progress, there are the divided camps among the nobles who fight by all means for their supremacy in political and social affairs.
Between 1674 and 1689 the Namin (Easterners) steered the administration of the country in their interests, followed by the Seoin (Westerners), who then entangled their position of power in disputes: the Noron representing the old, strict, conservative neo-Confucian doctrine and the Soron fighting for a new, modern, reformist, practice-oriented doctrine (Sirhak). It was probably King Yeongju's merit that despite the massive differences, the balance of power between the camps was well balanced for a long time. However, the price he had to pay for reasonably stable living conditions in the empire was his son, Crown Prince Sado, who favoured modern teaching and thus provoked the Noron. At least that is how one historical theory interprets the dramatic events surrounding Sado, who is said to have died locked in a box. The KDrama follows this theory (and not the annals, that present Sado as falling into insanity that could no longer be curbed, or a third theory that suspects a massive father-son conflict as the cause).
So, in line with the theory, which sees Sado as a progressive, reformist spirit, who wants to liberate his country from the supremacy of the Qing, "Warrior Baek Dong Soo" tells the story of the loyal followers of the ruling family, who are skilled in martial arts, and how King Jeongjo wants to live up to his father's modern visions. In doing so, with an open attitude the young king, too, always chose a balance and thus continued the proven political strategy of his grandfather, who in doing was able to stay alive more than half a century. In this way, King Jeongjo succeeded in the 24 years of his reign between 1776 and 1800 in building the Hwaseong Fortress as the center of his reign, in advancing education and science, in optimizing national defense and in creating the Royal National Library of Gyujanggak. However, he could never be sure of his life... at least seven assassination attempts alone during his first year in power are historically recorded. ... A striking reflection of the massive resistance against the attempted modernization of thinking in Yangban circles.
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