asdf
kabukichō
Deze recentie kan spoilers bevatten
No
A 10-hour-late head pop.Just wasn't for me. Maybe you will get more out of it!
This drama is a train wreck. If you're looking for anything good – a decent story, interesting characters, watchable acting – just turn around now. Seriously, save yourself. This thing is a mess, and it's not just a harmless mess; it actually pushes some pretty toxic stuff, especially with the male lead.
The biggest problem is the writing. It's just bad. The story jumps all over the place, like the writers just threw a bunch of random scenes together and called it a plot. Nothing makes sense, and you're constantly wondering what's going on. The dialogue is even worse – it's full of cheesy lines and awkward conversations that'll make you cringe so hard you might pull a muscle. You won't remember a single line five minutes after you hear it. And the pacing? Don't even get me started. It's either dragging on forever or rushing through important stuff, which makes the whole thing super boring.
But the absolute worst part? The male lead. This guy is a walking red flag. He's not just bland; he's straight-up toxic. He's controlling, he ignores everyone's feelings, and he has zero respect for boundaries. And the worst part? The show acts like this is okay, even romantic sometimes, which is a seriously messed-up message to send. The actor doesn't help things either. His performance is so wooden and lifeless; it's like watching a robot try to act human, but a robot programmed with toxic masculinity. You never get why he does anything, you never feel for him, and you definitely don't root for him. He's just there, being awful and making the whole thing worse. His behavior shouldn't be excused; it should be called out.
And the side characters? They're totally useless. They're just there to move the terrible plot along, and they have no personalities of their own. They barely get any screen time, and when they do, they don't do anything interesting. They're just… there. They don't add anything to the story, and you forget about them as soon as they're off-screen. They're like background extras who accidentally wandered into the foreground. And they just accept the male lead's awful behavior, which makes it seem even more normal than it should.
The lack of decent side characters just makes the male lead's awfulness even more obvious. He's supposed to be the main focus, but he's completely empty and, honestly, kind of scary. There's no connection between any of the actors, especially with him, which makes everything even more awkward and uncomfortable.
Pros:
• It's a great example of what not to do in a drama.
• It's short, so at least you won't waste too much time on it (but even a little is too much).
• It might get people talking about toxic masculinity in shows.
Cons:
• The writing is awful.
• The characters are boring and badly written, especially the male lead, who's also toxic.
• The acting is terrible, especially from the male lead.
I hope that Lee You Mi gets better script next time. Definitely want to see her in more FL roles. This just isn’t it.
Vond je deze recentie nuttig?
not a bad attempt
Some attempts to blend psychological thriller and romantic melodrama. It's a show that delves into the darker side of human emotions, exploring themes of love, obsession, betrayal, and the blurred lines between reality and fantasy.The story centers around Han Jeong-won, a man haunted by his past and his toxic relationship with his ex-wife, Lee Seo-yeon. In a desperate attempt to escape her clutches, he agrees to a one-year contract marriage with Noh In-ji. As their lives intertwine, a mysterious trunk becomes the catalyst for a web of secrets, lies, and dangerous obsessions.
It's less about a traditional mystery or a guaranteed happy ending, and more about how troubled individuals confront their past traumas and strive for healing. It is a good journey.
The show features a cast of complex characters:
- Han Jeong-won: A tortured soul, haunted by his past and desperately seeking redemption.
- Noh In-ji: A woman with a guarded heart, who slowly opens up to Jeong-won's warmth and kindness.
- Lee Seo-yeon: A manipulative and controlling woman, obsessed with Jeong-won and willing to do anything to keep him under her thumb.
It's not your typical love story. The relationship between Jeong-won and In-ji develops slowly, with a focus on their emotional connection and personal growth. However, the undercurrent of suspense and the looming threat of Seo-yeon's obsession keep the tension high.
I think that the visuals are very on point, with its dark and moody cinematography and haunting soundtrack. Good uses symbolism and imagery to create a sense of unease and mystery. However, the show's pacing can be too slow at times, with some episodes feeling drawn out and lacking in significant plot development.
Pros
- Strong Performances: Gong Yoo and Seo Hyun-jin deliver compelling and nuanced portrayals of their complex characters.
- Intriguing Plot: Enough twist to keep up some momentum
- Stunning Visuals: The show just looks good.
- Thought-Provoking Themes: Love, obsession, and the human condition, prompting viewers to reflect on their own emotions and relationships.
- Unique Soundtrack: Adds to the suspenseful and emotional tone of the show.
Cons
- Inconsistent Pacing: The deliberate pacing can drag at times, with some episodes feeling slow and lacking significant plot development.
- Anticlimactic Ending: The payoff just didn't feel like enough to me.
- Uneven Character Development: Some characters, such as the supporting cast, feel underutilized and underdeveloped, while others, like the main leads, receive disproportionate attention.
Vond je deze recentie nuttig?
Blah games
The fundamental problem is that season two feels utterly unnecessary. It lacks any genuine creative spark, instead rehashing familiar elements with diminishing returns.Well.. we're here. So...
The core components that made Squid Game a global phenomenon—the brutal games, the exploration of class disparity, the desperate lengths people will go to for survival—are all present in season two, but they lack the same impact. The shock value of the games is gone; we’ve seen it all before. The social commentary feels diluted, less focused and more like window dressing. The desperation of the players feels less authentic, replaced by a sense of obligation to the plot. The few new additions introduced feel less like organic expansions of the narrative and more like tacked-on elements designed to justify the season’s existence. The introduction of a pink-clad soldier within the main cast and the exploration of the Front Man's backstory, while offering brief moments of intrigue, ultimately fail to provide sufficient narrative weight to justify an entire season. They’re simply not compelling enough to warrant this continuation.
The acting, a significant strength of the first season, takes a noticeable dip. While the returning actors do their best with the material they’re given, the new additions to the cast are largely forgettable. They embody thinly sketched archetypes, lacking the depth and complexity that made the characters of season one so compelling and emotionally resonant. The performances themselves are technically adequate, but the actors are hampered by a lack of substantive material. This is further exacerbated by the over-the-top acting from many of the guest performances, which shatters any remaining pretense of realism and often veers into unintentional parody. These exaggerated performances clash jarringly with the more grounded portrayals of the main cast, creating further tonal issues.
This brings us to perhaps the most egregious flaw of season two: its jarring and inconsistent tone. The pervasive tension and palpable sense of dread that defined season one, creating a truly unsettling and immersive experience, are replaced by a bizarre and often jarring mix of melodrama, forced humor, and over-the-top action sequences. It’s as if the creators fundamentally misunderstood what made the original so effective, mistaking its dark themes for mere spectacle. In prioritizing entertainment over substance, they’ve sacrificed the show’s emotional core. The result is a tonal inconsistency that severely undermines the narrative. This inconsistent tone makes it impossible to invest in the stakes of the games or connect with the characters on an emotional level. It becomes abundantly clear that the showrunners have lost sight of what made the original Squid Game so compelling.
Season two demonstrates the challenges of continuing a successful narrative. While it retains some elements of the original's visual style and explores the backstory of key characters, it struggles to recapture the thematic depth and emotional resonance of the first season. The narrative may feel repetitive, and the impact of social commentary may be less pronounced. Additionally, the introduction of new characters and storylines may not be as engaging as those in the original. The potential for a third season, hinted at throughout Season two, might leave some feeling that the narrative is being artificially extended
Pros:
• Nostalgia: Returns to familiar characters and offers some closure.
• High production values: Visually appealing with strong technical execution.
Cons:
• Repetitive narrative: Rehashes familiar elements without adding significant depth.
• Weak character development: New characters are forgettable, and performances lack nuance.
• Inconsistent tone: Shifts from dread to melodrama, undermining emotional impact.
• They made filler, feel like filler.
Vond je deze recentie nuttig?
Untitled Park Ji Eun Project
8 mensen vonden deze beoordeling nuttig
Deze recentie kan spoilers bevatten
queen of mediocrity
Queen of Tears is a prime example of a show that had potential but was ultimately ruined by poor writing and excessive melodrama. The series started off with a promising premise, but quickly descended into a chaotic mess of nonsensical plot twists, over-the-top emotions, and poorly developed characters.The male lead was a particular disappointment. His wooden acting and lack of chemistry with the female lead made their scenes together unbearable to watch. His character was often reduced to a passive observer, reacting to the events around him rather than actively driving the narrative forward.
The second male lead was even worse. His character was a one-dimensional villain, a caricature of evil. His motivations were unclear, and his actions were often illogical. The show seemed more interested in creating a villainous caricature than a complex and compelling antagonist.
The female lead, despite her talent, was often let down by the show's ridiculous plot and her character's inconsistent behavior. Her character often made decisions that defied logic, which undermined her credibility as a strong, independent woman.
Instead of focusing on character development and emotional depth, the show prioritized shock value and melodrama. The constant barrage of tearful goodbyes, dramatic confrontations, and villainous schemes became a parody of itself. The once-promising drama was reduced to a caricature of itself, a shadow of its former glory.
The show's reliance on excessive sentimentality and emotional manipulation was both tiresome and offensive. The constant barrage of tearful goodbyes, dramatic confrontations, and villainous schemes became a parody of itself. The once-promising drama was reduced to a caricature of itself, a shadow of its former glory.
The show's pacing was also uneven, with slow, boring stretches interspersed with rushed, confusing plot developments. The show often felt like it was dragging, especially during the middle episodes.
Queen of Tears is a prime example of a show that squandered its potential. It's a cautionary tale for anyone who dares to venture into the world of K-dramas. If you're looking for a well-written, emotionally resonant K-drama, I strongly advise you to avoid Queen of Tears. It's a waste of time and energy.
Pros:
Visually appealing
Strong female lead performance
Cons:
Poor writing
Excessive melodrama
Weak male leads
Unrealistic plot
Wasted potential
Vond je deze recentie nuttig?
"Not good but not bad" -Kim Ji-soo
I just don't get it and I guess it just isn't for me. Whenever I get around to S2, I hope that it makes me feel a little less bored.I kept waiting for interesting things to happen or for some positive or negative friction and I just didn't get what I was hoping for. I guess I just need a plot. I need to feel like we are going somewhere. Even if the patients were around more, but it just feels like they come and go to quickly.
I did appreciate the realism and some of acting is quite good. I like many of the characters... I just wish they did something. I wish that they had more changes for growth and development. It just never seemed to happen.
Vond je deze recentie nuttig?
Deze recentie kan spoilers bevatten
blahstruck in the city
Initially intrigued with its unique documentary-style format, promising a fresh perspective on modern love. However, the series quickly devolved into a predictable and overly sentimental romance drama. The show’s innovative approach, which could have offered a deeper, more nuanced exploration of relationships, was ultimately squandered.The writing was a major letdown. The characters were underdeveloped and lacked depth, and the dialogue was often cringe-worthy.
Jae Won, the central character, was a constant source of frustration. His self-destructive behavior and inability to take responsibility for his actions were tiresome to watch. While the show attempted to address his alcoholism, it often felt like a superficial solution to a deeper problem.
Eun Oh, the female lead, was a complex character, but her tendency to avoid confrontation and hurt others was frustrating. Her character arc was inconsistent, and she often seemed to regress rather than progress. Worse... he was particularly annoying, with his constant whining and indecisiveness. His performance was lackluster, failing to bring any depth or nuance to the role.
Rin Yi, the free-spirited artist, was an interesting character, but her development was limited. She was often used as a plot device to advance the stories of other characters, rather than having her own meaningful arc.
Gyung Joon, the kind and understanding friend, was one of the few likable characters in the show. However, his passive nature often hindered his ability to help his friends.
Sun Young, the cool and collected career woman, had a more complex character arc. However, her behavior towards her romantic partners was often questionable, and her actions sometimes seemed selfish and manipulative.
Overall, the characters were a mixed bag. While some were intriguing, many were underdeveloped and frustrating. The show could have benefited from a deeper exploration of the characters' motivations and backstories.
The pacing of the series was uneven, with some episodes dragging on while others felt rushed. The show’s attempt to balance the documentary-style format with traditional storytelling often resulted in a jarring and disjointed viewing experience.
Ultimately, it is just a missed opportunity. While it had the potential to be a unique drama, it failed to fully capitalize on its central concept. The show’s reliance on clichés, melodrama, and inconsistent pacing ultimately undermined its potential to offer a meaningful exploration of love and relationships.
Pros:
Unique documentary-style format
Visually appealing
Strong performances from some of the supporting cast
Cons:
Weak writing and character development
Unengaging male lead performance
Inconsistent pacing
Overreliance on clichés and melodrama
Disjointed narrative structure
Vond je deze recentie nuttig?
Deze recentie kan spoilers bevatten
it just clicks with me
I think that this is Wong Kar-wai's cinematic masterpiece. It is a dreamlike exploration of love, loss, and the human condition. It's a film that lingers in the mind, a haunting melody that plays on repeat. I remember the first time I watched it, I was mesmerized by its beauty and complexity."The past is never over. It's just a story we tell ourselves."
The film is a tapestry of interconnected stories, each one a poignant reflection on the complexities of human relationships. Tony Leung's portrayal of Chow Mo-wan is nothing short of iconic. His nuanced performance captures the character's loneliness and yearning with a haunting intensity.
"Love is all a matter of timing. It's no good meeting the right person too soon or too late."
Zhang Ziyi's performance as Bai Ling is equally captivating. Her character is a mysterious and alluring figure, a woman who seems to embody the very essence of desire. Her chemistry with Tony Leung is palpable, and their scenes together are electric.
"Time is a thief, stealing the present from the future."
The film's nonlinear narrative structure adds to its dreamlike quality. It's like a puzzle, with pieces scattered across time and space. As the viewer, we're invited to piece together the fragments of the story, to connect the dots and discover the underlying meaning.
"Love is all a matter of timing. It's no good meeting the right person too soon or too late."
At its heart, 2046 is a film about the human condition. It explores themes of love, loss, memory, and the passage of time. The characters are constantly searching for love and connection, but they are often doomed to disappointment. The past haunts them, and they struggle to let go of their regrets.
"In love you can't bring on a substitute. When the Peony blooms, she stands tall. Does she mean no or yes?"
Wong Kar-wai's signature visual style is on full display in 2046. The vibrant colors, the stunning cinematography, and the evocative music create a truly immersive cinematic experience. The film's soundtrack, composed by Shigeru Umebayashi, is the perfect complement to the film's melancholic tone. It's a haunting melody that lingers in the mind long after the movie ends.
"Maybe one day you'll escape your past. If you dream hard enough."
2046 is a film that demands patience and attention. It's not a straightforward narrative, but a series of interconnected stories that unfold slowly and deliberately. But if you're willing to let yourself get lost in its dreamlike world, you'll be rewarded with a truly unforgettable cinematic experience.
"I once fell in love with someone. I couldn't stop wondering if she loved me or not. I went to 2046 hoping to find her there. But I never found her."
Vond je deze recentie nuttig?
Deze recentie kan spoilers bevatten
IU
I know it won’t resonate with everyone, but for me it is a very rare 10/10.An emotional rollercoaster that'll leave you feeling a whole range of things. It's one of those shows that slowly creeps up on you, quietly tugging at your heartstrings until you're a sobbing mess.
IU's performance as Ji-an is simply breathtaking. She completely embodies the character, bringing a raw, unfiltered emotion to the screen. You can feel her pain, her loneliness, and her resilience in every scene. Her transformation from a lost, troubled soul to a stronger, more hopeful person is both inspiring and heartbreaking. Every glance, every gesture, every tear – it's all so raw and real.
Lee Sun-Kyun, as always, delivers a stellar performance. His portrayal of Park Dong-hoon, a weary, middle-aged man, is both poignant and relatable. He captures the character's quiet desperation, his loneliness, and his gradual growth with such subtlety and nuance. You can see the weight of the world on his shoulders, and his slow, steady journey towards healing is both heartwarming and heartbreaking.
The supporting cast is equally impressive. Each character, no matter how small, is a fully-realized individual with their own unique story. The show delves deep into their backstories, adding layers of complexity and depth to the narrative. From the quirky and lovable office workers to the troubled family members, each character brings something unique to the table.
My Mister is a slow-burn drama that rewards patience. It's a show that's not afraid to tackle tough issues like loneliness, grief, and the meaning of life. But it's also a show about the power of human connection, the importance of empathy, and the beauty of finding solace in unexpected places.
One of the things I love most about My Mister is the way it explores the complexities of human relationships. The bond between Ji-an and Park Dong-hoon is a unique and beautiful one. It's a testament to the power of human connection and the transformative nature of empathy. Watching their relationship develop, from initial distrust to deep friendship, is a truly heartwarming experience.
The cinematography is perfect. The soundtrack is perfect.
• The power of connecting with someone
• Amazing performances by IU and Lee Sun-Kyun.
• Loneliness, healing, and friendship.
• GOATed OST
• Great supporting cast
Vond je deze recentie nuttig?
Insufferable ML and blah blah blah
Whether it was the writing or Kim Seon Ho's acting, I found hating every single second that his character was on the screen. I just couldn't take it.Never have I ever felt where one single character completely tanked a show for me.
The story is simple and doesn't offer anything new. However, I don't think that is a bad thing, necessarily. I have no issues with the typical tropes or formulas that we see in these types of kdramas. Basically, I know what I am going to get (which I often enjoy), but that makes issues with characters or acting stand out even more.
Honestly, the show is just tiring to watch. The first show I have watched in quite sometime that makes me wish I dropped shows.
Vond je deze recentie nuttig?
Deze recentie kan spoilers bevatten
pretty good
A cute Korean drama that blends romance and time travel. Kim Hye-Yoon absolutely steals the show as Im Sol. Her performance is captivating, and she effortlessly switches between comedy and drama. Her portrayal of Im Sol's emotional journey is both heartwarming and heartbreaking, making her a standout in the series.The series also explores themes of love, loss, and, the power of second chances.
The chemistry between Kim Hye-Yoon and Byeon Woo-Seok is pretty good and I think that the pair add a lot to the show.
The show starts off strong, but it loses steam as it goes on. Some of the supporting characters feel underutilized, and their storylines don't contribute much to the overall plot. They just feel a bit pointless at times. I really enjoy good side characters, and I am not sure there is a single notable one in the entire show.
Despite these shortcomings, the show does remain an enjoyable watch. I think Kim Hye-Yoon is amazing here! Her performance is what really makes this show stand out.
However, it's important to note that the series is not without its flaws. The time-travel mechanics, while intriguing, can sometimes feel inconsistent and unexplained. The resolution of some plot points may feel rushed or unsatisfying.
All around, I think it is a solid show, offering a blend of romance, comedy, and a touch of fantasy.
**Pros:**
* Kim Hye-Yoon is amazing!
* Cute romance
* Interesting time-travel twist
**Cons:**
* Drags on a bit
* Time-travel stuff can be confusing
* Some side characters are weak
Vond je deze recentie nuttig?
