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No Touching At All japanese movie review
Voltooid
No Touching At All
43 mensen vonden deze beoordeling nuttig
by AnicsiRoscoe
feb 7, 2016
Voltooid 4
Geheel 9.0
Verhaal 8.0
Acting/Cast 10.0
Muziek 7.0
Rewatch Waarde 8.0
I admit, I am probably a bit biased, because I simply love this manga to pieces. However, that may be the reason why I am able to evaluate this adaptation better than someone who doesn't know the original work. So if you are a fan of the manga, but unsure whether to watch, this review is mainly for you. (And even if you're just looking for a good BL movie to pass the time, I hope I can write a worthy review as well) ------- The plot isn't exactly anything new, especially for such a short movie. It's about two people meeting, hooking up, falling in love, and the hardships they must overcome. What makes this movie stand out from others is the rawness of the emotions, the harsh yet beautiful reality. There is nothing romanticized about their meeting or their relationship. It could be me or you, falling in and out of love. Shima and Togawa in the manga have prickly personalities. They are very different, yet there is an attraction and spark that even transcends their sexualities. I was worried whether there could be actors who would portray their characters well. Thankfully, Yonehara Kousuke and Taniguchi Kenji both did a great job. Shima lost a bit of his cheekiness and seems more timid, but it has to do with the generally darker tone of the movie, right from the beginning, due to time-constraints. The music was matching but not really memorable. I was surprised at how sensual they even portrayed the erotic scenes. They could have granted a closer view on the kissing scenes, but in BL it's probably something we can only wish for. What really drives this film is the atmosphere, that is very similar to the manga Doushitemo Furetakunai. This simplicity and 'realness' is visible in every part of the movie. Some people find the long still shots and the calmness boring. I find it beautiful. Not everything in life is restless and fast-paced. Some moments are agonizingly slow. The cinematography, while somewhat simple, plays a big role in this, and it does a superb job. The writing and directing are both also spot-on. After finishing the movie, I went and re-read the manga, and I was surprised to see how much of the original dialogue was kept. While I was reading, the scenes from the movie kept appearing in my mind, and I found myself unable to separate the two. Usually when it comes to book or manga adaptations, once I return to the original, I cannot help but think: "Oh, but this is so much better after all. They should have done this differently"; However, I didn't have that feeling with Doushitemo Furetakunai. While there were parts that were left out or could have been fleshed out more, there were even moments where I thought the dialogue in the movie was more natural and poignant than in the manga. I dislike dramas that take the easy way out by having too much narration or monologues to make sure the viewer gets exactly what the characters are feeling at that moment. There is no room for speculation, no room for the viewer to get a grasp on the emotion, just by observing. Eventually, this trait of the movie, the actors' ability to convey their pain and longing without using too many words, is what made me applaud to this successful adaption of Yoneda Kou's manga. In summary: It's a bit slow-paced, but if you learn to appreciate the beauty within this calm atmosphere, you will be presented with a fairly satisfying movie that you won't easily forget. I recommend it whole-heartedly.
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