AnicsiRoscoe
So if you are a fan of the manga, but unsure whether to watch, this review is mainly for you. (And even if you're just looking for a good BL movie to pass the time, I hope I can write a worthy review as well)
-------
The plot isn't exactly anything new, especially for such a short movie. It's about two people meeting, hooking up, falling in love, and the hardships they must overcome.
What makes this movie stand out from others is the rawness of the emotions, the harsh yet beautiful reality. There is nothing romanticized about their meeting or their relationship. It could be me or you, falling in and out of love.
Shima and Togawa in the manga have prickly personalities. They are very different, yet there is an attraction and spark that even transcends their sexualities. I was worried whether there could be actors who would portray their characters well. Thankfully, Yonehara Kousuke and Taniguchi Kenji both did a great job. Shima lost a bit of his cheekiness and seems more timid, but it has to do with the generally darker tone of the movie, right from the beginning, due to time-constraints.
The music was matching but not really memorable. I was surprised at how sensual they even portrayed the erotic scenes. They could have granted a closer view on the kissing scenes, but in BL it's probably something we can only wish for.
What really drives this film is the atmosphere, that is very similar to the manga Doushitemo Furetakunai. This simplicity and 'realness' is visible in every part of the movie. Some people find the long still shots and the calmness boring. I find it beautiful. Not everything in life is restless and fast-paced. Some moments are agonizingly slow. The cinematography, while somewhat simple, plays a big role in this, and it does a superb job. The writing and directing are both also spot-on.
After finishing the movie, I went and re-read the manga, and I was surprised to see how much of the original dialogue was kept. While I was reading, the scenes from the movie kept appearing in my mind, and I found myself unable to separate the two. Usually when it comes to book or manga adaptations, once I return to the original, I cannot help but think: "Oh, but this is so much better after all. They should have done this differently"; However, I didn't have that feeling with Doushitemo Furetakunai. While there were parts that were left out or could have been fleshed out more, there were even moments where I thought the dialogue in the movie was more natural and poignant than in the manga.
I dislike dramas that take the easy way out by having too much narration or monologues to make sure the viewer gets exactly what the characters are feeling at that moment. There is no room for speculation, no room for the viewer to get a grasp on the emotion, just by observing. Eventually, this trait of the movie, the actors' ability to convey their pain and longing without using too many words, is what made me applaud to this successful adaption of Yoneda Kou's manga.
In summary: It's a bit slow-paced, but if you learn to appreciate the beauty within this calm atmosphere, you will be presented with a fairly satisfying movie that you won't easily forget. I recommend it whole-heartedly.
Vond je deze recentie nuttig?
As some other people have already mentioned, the drama truly shines in the first couple of episodes. The comedy, the action, the melodrama, the music and the cinematography – everything is spot on, and you feel like you are witnessing the birth of a new masterpiece. However, you flip the page, and the direction of the drama suddenly takes an entirely new turn.
Contrary to other people here, I do not think the story turned boring or bland. While the latter episodes can by no means compare to the stunning start into the drama, they are still above average of what we get presented in K-drama land.
Even though it turns into a revenge drama and you might argue the focus of the main character also changes, it's still a fresh breeze in a chaebol world ruled by men, revenge plots driven by men, where hatred and cold-bloodedness are traits mainly expressed by men. Han Yeo-Jin is a character that breaks with the stereotypes of an idealistic, warm-hearted female lead, who fights for the weak and poor and would never use underhanded means that go against her ideology. Yeo-Jin is tough, powerful, adamant and, at times, even cruel. I loved her in that role, even though my heart broke for her at the same time. The relationship between her and Tae Hyun is one of such deep understanding, that it is even more painful to see them suffer.
The drama definitely has its flaws: repeated flashbacks, too many characters without a conscience (like, seriously, the amount of hateful and spiteful people in this drama is ridiculous), obvious plot-twists, an ending that left lose ends and could have been so much better... But despite all that, I really enjoyed it a lot, and I suffered and laughed with the characters, and Doo Cheol might just be one of the coolest characters in drama history!
Enjoyment is still the biggest factor in a show for me, so I really do recommend the drama.
Vond je deze recentie nuttig?
If I had to describe the drama in a single word, it would be 'sincere'. Its sincerity is more apparent than any other Korean drama I have seen so far, and this is what makes it unique in my opinion. There is nothing forced, nothing fake, nothing that makes you want to punch the wall because there is no point or reason for it. You watch 'Good Doctor', and you don't feel like you're sitting behind a screen, but you are there with all the characters, in the hospital ward or the operating room, breathing the same air as them. It is hard to express the emotions that this drama brought out in me, but there was laughter and tears, a lot of pain and even more happiness.
I was aware that Joo Won is a fantastic actor by all the works I have seen, but this time he simply left me speechless. I had the pleasure to get to know some autistic people in my life, and the way he acts is simply phenomenal. His posture, his gestures, mimics, speech, even his GLANCE, Joo Won brought Park Shi On to life in a way that I hadn't thought possible. Even just for experiencing that, it would be worth a watch.
But if you don't, you'd me missing out on so much more: The medical aspect is really important in this drama, and they did a fantastic job. Now, I have never studied medicine, but all the surgeries looked SO real, that I was seriously wondering sometimes if they were just operating on props (I know they did, but... man!). However, what makes this different from other medical dramas, is the fact that Shi On has to deal with a lot of obstacles and prejudice, and he approaches things differently because of his (dis)ability. Secondly, it is a pediatrician ward, so we get to see a lot of heartwearming and heartbreaking scenes with kids. I was skeptical, thinking actors that young would surely ruin the drama. Boy, was I proven wrong. The kids had some of the most authentic and touching acting I have ever seen. Some of the veteran actors in this industry could learn a thing or two of them. However, the adult main and supporting actors in this drama equally brought out the worth of this drama. Cha Yoon Suh and Kim Do Han are clearly needed for Shi On to become the person and doctor he dreams of.
I see, this review is getting quite long, so I'll just get to the point: This drama is one of a kind and it should definitely not be missed. It is funny, touching, sincere and teaches valuable life lessons. There are no all-evil villains, but the reasoning of each of them becomes apparent. It teaches lessons about friendship, family and love. The only reason why I give this a 9 out of 10, is because near the end of the drama, I was lacking the little spark that was there during the beginning. I am not sure what it is, but there was a tiny little something missing, maybe about the romance, maybe about something else. But even so, it is one of the best I have seen and I hope it will get more recognition. 9/10
Vond je deze recentie nuttig?
„Do you think it’s a blessing that we get to know about our future?“
- „It would be terrifying not to know.“
„What if we’re destroying today for the sake of tomorrow? What if we’re complicating our fate in order to change the future?"
It took me a while to finish this drama because I was afraid of the ending. While time travel always leaves room for 'whys' and 'what ifs' and 'why didn't they' and 'shouldn't there be', I have to say, it is one of the better written time travel dramas, and it certainly helps that it was pre-produced. All the flashbacks and time jumps at least made sense and you can follow clearly if you pay attention. It will get confusing if you have a lot of time between the episodes, though, so I recommend you to not drag it.
Now, why I really loved this drama can be summarized in just a few words: Amazing chemistry, fantastic actors, beautiful scenography, moving music and subtle writing. As I said, time travel is a difficult topic, but what I loved most about the writing was not the plot in the first place, but how genuine all the conversations and interactions felt. In many other dramas I find myself thinking: 'Nobody would say that' 'Who does that?' 'why are they so stupid, that's nonsense'. However, in this drama, even though there are some actions that may be misunderstood, you can perfectly comprehend why they act the way they did, how they are driven by fear of irrecoverable loss...
Yes, the directing and filmography are beautiful, but the script makes it complete. I love how it falls together so perfectly.
„Do you love me?“
-„I think I will die if I don’t marry you.“
„Leave! It is hard to even look at you.“
„But what should I do? In my eyes, I see you telling me not to leave…“
Yoo So Joon in the beginning is selfish, and we all know it. Does he really love her? Is he just using her for his own benefits? Is there even an ounce of sincerity in his words?
These thoughts are repeated in an endless cycle in our brains from the moment he decides he must marry her in order to change their fate. I love how the writing uses lines that show us that although he knows he is deceiving her, he carefully chooses his words so as to not to lie too blatantly, like when we feel shame by lying and think it will be less of a sin if we keep as close to the truth as possible. And even more, you can nearly watch how their relationship slowly changes, until there is truly nothing left but genuine love.
For all those reasons and how much it made me smile, cry and feel, I will give it a score of 9.0. It was close to a 10, but near the end there were some things that couldn't quite keep up with the brilliant start. And of course, it leaves us with a very nice message as well:
- No matter what the future holds or what happens tomorrow… can’t we just live freely?
Vond je deze recentie nuttig?
So, let me tell you something: This show is by no means great. But it's also not terrible. It's your typical rich guy/poor girl story, with the exception of it taking place in High School. So the only 'plot' happening in this is: Who gets the girl? Who gets the company? The story could definitely have more backbone and substance, as it was quite bland. However, some things were funny, some things were cute, some where a bit sad, but mostly, it was a huge cheese-fest. The amount of cheesiness in this show is no joke. The amount of clichés in this show is to be expected, but I still wish they could have toned it down some. Now, the only thing in this show that was REALLY terrible was the 'love is the moment' theme song, that I felt was haunting me in my nightmares. Thankfully they toned it down in the later episodes, but I couldn't stop cringing each time it came on at all the wrong moments. Urgh.
All in all, Cha Eun Sang proved to be no different (aka, lukewarm and very boring) than most other clichéd female leads, much to my disappointment. The love triangle between her, Tan and Yeong Do was funny at times, and outright infuriating at others. I would say it improved over time. Contrary to many other shows, I felt like the drama didn't get worse as time went on, but stayed about the same.
I am pretty sure I will never watch it again, but I also don't regret having invested the time. Near the end there were actually some moments and developments that touched me (the dead-body drawing explanation for instance, I didn't expect that), and some character-dynamics I really loved (Tan's and Eun Sang's mothers, Yeong Do/Rachel/Hyo Shin, BoNa/Chan Yeong). Choi Yeong Do had the greatest character development, and even though I hated him in the beginning, I could make peace with him in the end.
To sum it up: You might enjoy it if you don't have too high expectations and if you can deal with a very romance-focused and somewhat ridiculous plot and LOADS of crying. At least the supporting characters do somehow make the show worth its while. 6/10
Vond je deze recentie nuttig?
