DorianGrey101
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Bad Guy was sexy...but that was just it.
The first show where i thought the bad guy (SML) was really smooth and more attractive than the ML. He really did his role well and had chemistry with all his "paramours". He just had that little something extra (lol).As for the show itself, it starts out with great momentum, but quickly gets lost somewhere along the way. Then it never really recovers. I liked/watched for the plot and was expecting a bit more of the revenge, anger, pay-back and a stronger FL who is not apologetic or too weak by the end. Instead it quickly downgraded itself to be like the rest of the other shows, with silly misunderstandings and flash backs towards the end that i thought were misplaced or did not change the story in anyway . Or even change your feelings about the characters.
Otherwise you are not missing much, its an average show that will never make it on your top list of memorable lakorns. I rated it a 7/10 and it has zero re-watch value.
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Pointless Idealism, beware you will be dissappointed
I consider myself a very broad-minded individual who watches all sorts of dramas and honestly, the subject matter is important to me but they failed to deliver it compellingly. I'm not even complaining about the romance but about the lack of coherence and the presentation of the story itself. The real issue isn't just the plot but the pacing, tone, coherence, and expression of ideas throughout the drama. The script starts with a strong foundation of idealism, but those core themes are abandoned by the end. It's a classic case of bad writing where the initial promises aren't fulfilled. It's too preachy and idealistic while lacking that "realness" quality. You can tell what they were trying to say but they failed to convince the audience with their story-telling and execution it in a memorable way. Surely there is more to a hagowan teacher's life?I hated the preachy tone of this drama and the impractical idealism (country, education system issues vs personal idealism). Can one teacher change a whole socially entrenched system? I get the issues of Korean education but I was excited about a story of that one teacher that actually cares about the kids, but it was not. the drama is written in a weird, cliche way. The portrayal of the characters doesn't tell their stories well at all.
From the outset, this was not a story about the struggles of the FL to reach her dream but a critique of the education system, teaching, and how teachers see themselves with all the pressures that the hagwon industry brings. That's why we have the struggles and the politics, the competition etc.
After acting like a virtuous sacrificial lamb who was ready for a crusade fighting for the academy & the students and profession she loved. Even going to the extent of being so condescending and preaching to the “white-haired witch”, talking about ethics etc.
After creating a strong female character like the "white-haired witch", the writer wants me to believe that she was slapped out of existence when she was a good strategist and businesswoman throughout the drama. Questionable ethic yes, but very focused.Many things sub-plots are left hanging with no explanations or closure at the end. I found it hard to believe that the "white-haired witch" who was a strategist who planned her moves would get into a catfight as her ultimate end. That was so out of character with all the expectations built up by the writer from the beginning. I thought there would be some great mind games and a reveal at the end that would justify all the politics, fighting, and competition. In the end there was nothing.
I would have applauded the writer if the story was all about the FL's struggle to reach her dream from the 1st episode but it's not it's about a system she was trying to protect. Therefore the whole build-up of the drama from episodes 1 - 16 is totally out of sync with that ending.
You are made to believe that there is more but there really isn't anything, just a disappointment.
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Nu Shen De Dang Da Zhi Nian
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If you have sisters, you will understand this drama.
This drama delivers what you’d expect from a family-centered story: generational tensions, gender dynamics, and deep-seated familial ties. At its heart, it’s about the complexities of relationships, particularly through the lens of female experiences. While it successfully explores some heavy themes, including domestic and emotional abuse, the execution left much to be desired at times.The portrayal of abuse is raw and unflinching, which is both the drama’s strength and its weakness. On one hand, it sheds light on the insidious nature of emotional manipulation and the long-term impact of domestic violence. The writer deserves commendation for daring to tackle these sensitive issues with nuance. It brings much-needed awareness to topics often overlooked or glamorized in entertainment. The scenes involving the characters’ attempts to rebuild their lives or confront their abusers are particularly poignant, making you reflect on the resilience it takes to break free from cycles of harm.
However, the pervasive gaslighting throughout the show detracts from its overall impact. While it’s realistic in portraying manipulative dynamics, it becomes exhausting to watch. Scene after scene of characters denying each other’s realities and twisting the truth feels overwhelming and repetitive. Instead of deepening the narrative, it often stalls the story, frustrating the viewer.For example the middle sister is constantly gaslight by her family, no one takes her struggles with her lazy,bum of a husband seriously. No one listens to her or tries to understand her. She is the strongest sister but has the worst storyline.I would have loved to see her evolve and not get tangled up or emotionally manipulated to get back with that man. Everyone just kinds of tries to undermine her decision to divorce the husband. Don't even get me started on the mother-in-law always shouting. In the end her sisters were encouraging her not to allow her husband to slack around the house but, then why get back with a slacker.
The first sister's marriage was also kind of dead and cold. I know what that guy did was wrong but she always acted like she was in a business transaction rather than a marriage. Always doing the finances, the kids etc.
The youngest sister was portrayed as independent but so naive that you can't even reconcile those two sides of her. I do appreciate that she became friends with her sister-in-law, but she was always being expected by the sister in law to stand up to her brother on her behalf.
Despite these flaws, the drama has standout moments. The women in the story, though flawed, are complex and relatable, and their journeys toward self-empowerment are inspiring. Yet, the overuse of toxic behaviors to drive the plot diminishes the overall enjoyment.
In conclusion, this drama is a mixed experience. It deserves credit for highlighting critical issues like abuse but struggles with pacing and emotional fatigue due to its reliance on gaslighting. Watch it if you’re prepared for emotional intensity—but don’t expect an easy ride.
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Not for everyone !!!
Don’t Feel Bad if You’re Confused—You’re Not the Only OneOkay, so this might be a super unpopular opinion, but I didn’t enjoy Light Shop that much. Yes, some people think it’s a masterpiece, but for me, the world-building was clumsy, and it was hard to figure out the rules of the Light Shop.
From the start, the show felt more frustrating than intriguing. You’re unsure what you’re watching, and it’s difficult to distinguish between the three different worlds it tries to present. There’s so much going on that you barely have time to understand the characters. By the end, I felt mentally drained. It wasn’t scary or captivating—just a dark, irritating void. Even when you try to root for someone, the eventual explanations fall flat and fail to satisfy.
Kang Full seemed to aim for a blend of intrigue, mystery, and horror, and while the first four episodes came close to achieving this, the rest of the series spent too much time overexplaining. Yet, even with all the exposition, you’re still left with unanswered questions. To make sense of certain plot points, you might need to resort to Googling or reading comment sections. Even then, don’t expect clarity—you’ll likely still have lingering questions.
Watching the later episodes felt less like unraveling a complex narrative and more like being deliberately confused. The metaphor of light and darkness had the potential to be profound, but it came across as overly abstract and disconnected from the characters’ struggles. It left me wondering if the creators were trying too hard to be deep and symbolic at the expense of coherent storytelling.
For instance, when does your will to live really start? Is it when you enter the Light Shop, when you find your bulb, or when someone tells you to go back? These pivotal questions remain unclear, and the show’s failure to address them undermines the entire premise.
By the time I finished, I didn’t feel a sense of resolution—just relief that it was over. I wanted to care about the characters, to root for them, or at least understand their journeys, but the endless stream of unexplained rules, convoluted plot twists, and uneven pacing made that impossible.
I can see how some might view Light Shop as a bold artistic experiment, but to me, it felt like an overly ambitious mess. Perhaps it tried to do too much or simply wasn’t for me. Either way, be ready to embrace confusion and frustration.
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Same Old Tropes, Missed Opportunity!
I was very excited when I first read the concept of this drama, about a girl that wants to get ahead but the company only promotes married people so she decides to find a fake groom. That sounded fresh and exciting.I wanted to see more of the struggles of a working class female or females. I was thinking they could talk a bit more about the problems Korean women face with the glass ceiling.
I thought this would be a normal workplace drama, with a woman challenging the patriarchy as she tries to climb to the top or gain recognition for her hardworking. Wait, that was only two episodes of the drama.
It was pretty obvious that he was hiding something & I was praying it wasn't the chaebol secret. After that it's back to the old kdrama trope of chaebol's secret son. Disappointed!!!
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Kemutai Ane to Zurui Imoto
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Family Secrets and being sisters...for life
"Family is pain, you can't choose them and they mess-up your life. They make you celebrate for them even though you hate them. And you can't seem to get rid of them..." Ep.8This is a family drama with a twist, at the heart of it is two siblings making peace with their past and their mother's secrets while rediscovering their relationship as sisters. Anyone with siblings will relate to the sibling rivalry that extends to stealing things from each other including things that shouldn't be stolen. Everyone seems to hate the concept of the sleazy, weak husband but the real story is the sisters' relationship and how they eventually find each other again. The poetry of bones, grieving, family secrets, and wanting to be seen and heard by the people we love especially our mothers. Discovering that your mother is a fallible human being.
The irony is how each sister thought the other one stole what they wanted or deserved in their own life. The spoiled one was starved of love and attention but the big sister was always there and she never noticed it. I'm glad they sorted it out at the end, and were able to be sisters again.
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Positive Message & Sweet Kisses
One of the few Thai Lakorns that i have watched that has a positive message and tries to steer the conversation towards a building better relationships and families. Women were not treated as plot devices and beautiful props that slap each other or are brainless, fighting over a rich guy. This drama explores the issue of abuse & suffocating traditional expectations placed on women.-I loved that despite what the FL goes through she is portrayed as a strong woman who tries to rebuild her life and regain her independence from her suffocating traditional family( mostly her father) who sees all the females in the family as chess pieces to be played by him the way he likes and her abusive ex & his mum who are not that bright.
-She had a mature second chance relationship with a guy, they give her a realistic romantic relationship, complete with her fears after what she had been through.
-The most boring thing about the drama is that the dialogue can sometimes feel like its a talk show rather than a drama and its a public service announcement.
-There is also a bit of a sadness in the drama, but i will not spoil it here.
Overall gave it an 8/10 for giving a positive message, which is rare in lakorns.
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Triggering!!! Depressing but Important Message
Please don't watch this movie if you are easily triggered because it will drive you crazy with it's trauma. It's violent, raw and heart-wrenching. It will make you cry, make you angry and wish for death on certain characters. It's just a sad movie.The message and reality of SA is important, I also get that it's important to depict SA in a realistic way. But that doesn't mean that it doesn't hurt to look at and experience. I was even shocked to learn that they didn't use an intimacy coordinator for their sex scenes especially the violent ones.
It's hard to accept that the way they depicted her relationship with her student. Hurt people hurt other people I guess, but that was so messed up.
I was even angry at the way it ended.
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Not as Intense as I wanted it to be.
I am only adding my voice to this movie because I recently watched Ryohei Suzuki at the NYAFF say he was curious about what we thought about this movie (good things & bad things) and i appreciated that he said that. So these are my thoughts and views.The Egoist was kind of average, for me even the love story was somewhat unremarkable, maybe because less time was spent on the development of the romance between the MLs. Was it real love or transactional love?,from the novel we know it was real love but from the movie it was not so clear. At times I found Suzuki Ryohei's mannerisms a little too much and are stereotypical of "gay people". His hands moved but his body looked stiff,I would have to say the way Ryohei crossed his legs and sat on the couch and tried to be affectionate just came off as stiff and forced IMO. He wasn't bad, but he wasn't that convincing to me either.Their love scenes were very hot, but I feel like I needed more emotional depth, by exploring why he felt so lonely in this world before Ryuta and just how Ryuta influenced his life. Everything felt rushed.
The most memorable thing for me from the movie, were the conversations that he had with his circle of friends talking about being gay in Japan. My best moment being when t the other friends confess that they went to collect a marriage registration form and filled it out, though same-sex marriage is not legal in Japan. That act of rebellion was memorable for me.
Overall , Dear Tenant and Eternal Yesterday actually came to my mind when watching the Egoist. But both DT and EY were very persuasive in their execution and emotional story-telling in my opinion. They all revolve around love,death and unintentional family, learning to say goodbye to those who have left, some unresolved grief.
DT and Egoist share the same themes of love,death and unintentional family bond that involved the mother of the partner. Though DT has wider family dynamic issues (uncle,child of partner etc). Both partners pass away and the other partner becomes a sort of replacement son for the mother-in-law (for the lack of a better word) with differing degrees of sadness and success. Both bonds are formed either by guilt or kinship for the shared dead partner of the mother. At the heart of both stories is the concept of family & the question of what is family?.
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Doesn't live up to the Hype
I had really high expectations when i watched this one, but it didn't live up to it for me at least. Some parts i enjoyed but some parts i found draggy and just filler episodes. The ML does try to be a tough pimp (according to the novel) but it doesn't seem to suite the actor, we needed a better Bad Boy (hard with tats and all). I think it was a miscast. Yes Tor is handsome & juicy looking and all those other things but just didn't work for me.He looked too innocent and clean to be a guy on the edge.The FL is equally lacking in some respects, weak character. i understand she was representing the voice of reason for the ML but we can have a strong, assertive voice right.Some people saw chemistry, i saw none. I rated it a 7.5 because i enjoyed some of the action scenes but not deserving of an 8.3 because it wasn't consistently great. My favorite character that i think embodied what the series should have been is Aunty Mam. Maybe when they do another remake they make use my ideas (haha). But who cares right (lol), but i always love it when others leave honest reviews.Vond je deze recentie nuttig?
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A very weird drama!!!
The mothers in this drama will give you a headache. Not even one of them has a good character, pushy and unreasonable or supportive. Thank God, for ML's dad he is the only parent that didn't turn things into a circus.I find it so funny that her ex who couldn't even protect her from his mother suddenly had a protective instinct and wanted to marry her and protect her from all the work abuse. This is the mansplaining that ruins dramas about strong FML.
The whole plot with the SML was seriously bizarre, if you add Wu Fei in the mix it becomes another circus. Like why would you be with a man who can't make up his mind? He clearly didn't love her, but she goes back to him. He also never really knows what he wants, and pretends to everyone.
For lawyers, most of the people in this drama were so dumb and did not exhibit any intelligence. Even all the plotting fell short of the intrigue that the drama promised.
I hate the fact that she never confronted the other female partner of the firm who constantly used her, demoted, humiliated her, and then always dangled the partnership carrot in her face. That woman was the reason why, other women were disrespected at that firm and she came up with the single-people rule.
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Wo He Hun Yin De Zhan Duo
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Nothing New but Worth the watch in Intrigue!!!
I don't like long reviews so here is a short one....."Women should not be so assertive,assertive women will not be happy" Ep20
We have all watched these Makjang type dramas where the woman is trying to set herself free from the confines of marriage and the limitations that it puts on career and life choices for women. This story is no different as our FL was once a brilliant lawyer who gives up her career to be a housewife manipulated by her husband with anger issues. Of course there is always cheating and a crazy mistress that doesn't want to give up either.
What I liked about this drama is how even with 24 episodes, there is no moment to waste.If you watch cdramas you know how they can be sometimes with wasting time. The pacing was very good, there are a few episodes that were draggy but I mostly liked it.The only parts I hated were the FL's workmates who were feather brained for people that are supposedly lawyers. The ML's parent's plot was also a bit annoying, but thankfully it was shortlived.
The ML was very good actor, he was able to switch on the hot cold character very well. He even scared me sometimes with his coldness and those eyes.The FL wasn't that convincing though both as a weak and strong woman. I find it unbelievable that she never found her husband's behavior weird, her plotting also wasn't portrayed very well either. The kid actor was so exceptionally good, his crying scene for dad was gut-wrenching and he was cute overall. I maybe biased but I think Chinese child actors are advanced,professional little beings (so good).
Overall : It's not a new story line, but still very entertaining drama that kept me intrigued and waiting for more. I watched most of it in a day. That's how much it motivated me to watch it.
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Legal drama with no actual court drama!
As someone who likes legal dramas, I was looking forward to a show with some critiques on marriage, divorce, and the whole female perspective especially in a society like Korea. I was looking for riveting high-class court drama and theatrics that would leave me thinking about how fair or unfair the justice system is. But unfortunately, this is not the show.The cases the lawyers deal with are not presented in any dramatic legal way that is believable. At some point, the cases were also becoming a bit monotonous with the stories about mistresses, cheating, and petty fights. There are so many facets and issues that divorce cases have. There are some interesting topics like the guilt of working mothers and how women are often blamed for being bad mothers even when they excel in other areas of their lives.
I also dislike how even though it's a show that's framed as having strong female characters, both characters have men panting and chasing after them and saving them or "smoothing the path" for them. I think this is so unnecessary.
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