When there’s nothing much on the table it’s time to plunder the back catalogue and this one from 2013 is definitely a find. Jung Kyung Ho makes a much better crim than a crush and here he shows off his delicious mean side.

What makes this thriller both unusual and worth watching are the performances and the characters. Especially the central trio played by Jung Kyung Ho, Kim Yoo Mi and Choi Moo Sung who put in top notch all-round characterisations. Very few of the characters are two dimensional and the writer, Yoo Sung Yeol, has beautifully crafted the interrelationships that bind the story together. The characters are nuanced and ambiguous rather than good and bad, and what side you are on is not what’s important here. Conflicting loyalties and debts of gratitude jostle with temptations and sacrifices on all sides of the fence.

It was something I had to eat slowly, like a rich chocolate sauce, one mouthful at a time. It makes demands on you to keep up and I like that. Nothing kills the tension more than explaining every twitch and smile. It ups the rewatch value to the maximum, because there is so much in it that is only half-understood. However, although the plot is a good setup, it borders on being way too clever and incestuous—yep that’s the only word for it and you’ll understand if you watch it. For me, in order to accept the incredible in a drama and suspend my disbelief, it needs to be in a balanced proportion and this one repeatedly flirted with the boundaries of credibility, especially in the first half (or maybe I just got used to it later on). However the plot is intricately designed and written (high five to the writer) and fundamentally very good, so I was willing to go the extra mile for it, in spite of the numerous eye-rolling occasions that frustrated and annoyed me. If you do go with it, it offers enough clever opportunities to wind you up like a coiled spring and send you spinning off in various directions.

There is a lot of violence and perhaps too much of it, especially in the early episodes, appears contrived and manipulated in order to increase the threat and tension. I don’t think it really needs to do that. It had enough guts in the basic premise and execution to keep you interested without having to resort to cheap tricks. I lost track of the body count at around episode 5, and it continued on. Hence the large number of small supporting roles, otherwise they would have had no choice but to chew through all the leads half way through!

The camera loves all of the faces in this drama and there’s a bucket-load of opportunities for the actors to show off their micro-expressions to good effect. The directing allows time for these revelations and they add greatly to the depth and tension of the drama. The production values really create the moody, dark backdrop so well, with great OST and lighting.

This is a hard one to rate, because when it’s good it’s very, very good, but the plot has so many impossible escapes, incredible coincidences and gaping holes that it can only be realised with huge compromises around credibility. Look it’s way better than average and well worth watching, so I’ll up the rating, but it comes with caveats.

What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.