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The Trust chinese drama review
Voltooid
The Trust
6 mensen vonden deze beoordeling nuttig
by Zogitt
mei 6, 2023
30 van 30
Voltooid
Geheel 8.0
Verhaal 7.5
Acting/Cast 8.5
Muziek 8.0
Rewatch Waarde 7.0

It is better than I expected but missteps kept it from being great

I liked this show. It was entertaining and made me chuckled on occasions. If only the show knew when to stop and finish on a high and it would have been a surprise hit. As it stands, it is good but not great, funny and cringey in equal measure. A celebration of inconsistency that can be good, bad and meh.

The premise of the show is our leads soul swapped and have to live in each other’s bodies for a period of time. This brings about the usual sex change gags and innuendos. More importantly, they now realise challenges faced by each other. This understanding leads to mutual appreciation, and romance ensues. If all that sounds familiar that’s because it is a popular trope for contemporary as well as costume dramas. To top that off, the show has one of the messiest beginnings of any shows. It is quite possible for some confused viewer to drop the show after the first episode.

So I think it is best that we get the backstory straight now. The show is actually based on a graphic novel and the artist behind it is going through a sad divorce with her husband who is the publisher of the said novel. To mess with him, she deliberately introduced the soul swap plot, fully expecting the novel to crash and burn but the readers end up loving the plot twist. It is that novel we are watching as a live action show. To complicate things, we are dumped in the middle of the ongoing story without much preamble. There is little explanation of people’s behaviour nor their motivations upfront. However, the show does provide some background information later on. This means that for a casual viewer, the first couple of episodes can be bewildering and its overuse of zany sound effects and comedic devices only muddy the water even more. Let me assure you that it is not a farce even though it might appear so initially.

Once the dust settles, the show is actually better than expected. From my perspective, that is due to three key factors. Firstly, the script is quite clever. We have the usual tropes and there are plenty of them but the show work the tropes in such a way that it shows how the leads truly complements each other. They both have their shortcomings but by switching roles, they actually helped each other to overcome some sticky problems that have been festering. It also shows how their lives are more complicated than they thought. This allows a lot of character growth and breaking down the barriers between them.

Secondly, the acting of the FL is great. She truly played two roles. Her female role is quite stereotypical. Not bad but largely cliché for a costume drama. It is when she is playing as the king then she truly shines. She extrudes the gravitas and behaves regally.

Thirdly, the OTP's chemistry is good and their romance is swoon worthy. It is lovely to watch them grow closer together over time and find true love in an organic way. The path is not easy but it is a rewarding one both for them and for us.

This brings us to the not-so-good bits. The soul swapping part went on for too long. While I appreciate how well it set up the eventual growth of the leads, there are missteps so the longer it went, the weaker the overall show becomes. The show also relies heavily on tropes which is more obvious in the middle stretch. It doesn’t suffer from mid show drag per se but the pacing is patchy. The plot is mostly on rails.

The palace intrigue subplot runs the full length of the show. It was mostly predictable with standard antagonists filling the cliche roles. It is not particularly engaging. It was just there. Its conclusion is fairly predictable.

Another weakness is the ML’s acting. The ML is handsome in costume, and he does a decent job while playing the king. His behaviour while soul swapped is like a caricature of a girl and can be quite cringey. It makes the “FL” looks dumb and silly. I accept that she is not the sharpest knife in the kitchen but when she is in her own body, she does not behave like an airhead, so his portrayal seems unnatural and a bit off.

The link back to the contemporary storyline is a waste of time. In the span of 30 episodes, I think those scenes added up to around 20minutes. They are just snippets with a foregone conclusion to round things out. Other than making sense of the messy start to the costume drama and act as a postscript, it serves little real purpose.

The ending of the show is as sweet as you can expect but it is also contrived. It was the ending we have to have but you can feel that they took some serious liberties with the plot to get us there.

All in all, I enjoyed this show. The OTP's romance is swoon worthy. It can be funny and insightful. It did breathe some new life into the genre, but it is not consistent enough to be a breakout drama. It still have one foot firmly mired in tropes and it did the show few favours.

OST is not bad, but it does become repetitive.
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