I appreciate this movie

The film is very similar in theme to another Korean film, Suddenly Last Summer, which is repulsion and attraction. But here, the director of such excellent and award-winning films as Night Flight and No Regret, this theme is upgraded almost to the maximum. Two young men have an intimate relationship during their military service and release their sexual energy. Youn Young has now left the army and is not so sure of his orientation and no longer wants to be in the presence of Gi Tae-ho, who has to stay in the army and is very uneasy about losing Young-a. A psychological drama ensues, the plot of which I will not describe, but I want to highlight above all the good work of both actors, they reached almost to the bottom, not only by being naked, but also by rolling in disgusting mud. Life is often cruel and when we lose someone, how often does it make us act desperate, and for that I appreciate the film.

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You need to prepare for this film first, read something, why it was made, at what time. If a European approaches it just like that, the film can come across as a total dud. But I think the opposite is true. The film was based on the subject of Yukio Mishima's private army (we have an excellent documentary about Mishima here - Mishima: A Life in Four Chapters). The story mainly follows Shinohara, a Japanese youth recruited into Mitani's militia. You will find out what awaits him and how it will turn out in this picture with a subtle touch of parody, when Shinoharu gradually submits to an exhausting regime of homosexual orgies, which are meant to cover up the least. I smiled, for example, at the second erotic scene, when one of the two apparently grew a phallus between the sternum and navel. The message of the film is obvious, but I don't really agree with Mishima's stance, but it didn't affect my rating in any way. It's one of the little pieces of East Asian gay history that we shouldn't miss.


Na tento film je potřeba se nejdříve připravit, něco si přečíst, proč byl vyroben, v jaké době. Pokud k němu přistoupí Evropan jen tak, může se film jevit jako totální blbina. Ale dle mě opak je pravdou. Film vznikl na základě námětu o soukromé armádě Yukio Mishima (o Mishimovi zde máme výborný filmový hraný dokument - Mishima: A Life in Four Chapters). Příběh sleduje především Shinoharu, japonského mladíka rekrutovaného do Mitaniho milice. Co všechno ho čeká a jak to dopane se dozvíte v tomto snímku s jemným nádechem parodie, kdy se Shinoharu postupně podvolí vyčerpávajícímu režimu homosexuálních orgií, které mají i ledasco zakrýt. Usmál jsem se např. u druhé erotické scény, kdy jednomu z těch dvou zřejmě narostl falus mezi hrudní kostí a pupkem. Poselství snímku je zřejmé, ale já vnitřně moc s postoji Mishima nesouhlasím, ale nijak to neovlivnilo mé hodnocení. Je to jeden z malých střípků gay historie východní Asie, o který bychom neměli přijít.

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This movie, at least for me, has great value. It is completely different from what I am used to from Thailand with the BL line. It is about three beings, so different, from the Burmese-Thai border, specifically, part of the story goes (even backwards) to the separatist Burmese province of Shan (Shan), where life is very cruel for some, and everything is underlined by the fact that the two states (Myanmar and Thailand) do not have a completely ideal foreign-political relationship, it is interwoven with other characters and the story enriched me. Wan, later Sorn, has a difficult life in Shan, first among the monks, then in the Burmese army, he wants to get to Thailand with his powers and what he has to undergo. I didn't even mind the fact that the eroticism unfolded with a maximum of touches, which only increased the value of the film for me this time. A lot of interesting things, even if the film probably won't appeal to all viewers.


Tento film, alespoň pro mě, má velkou hodnotu. Je totiž úplně jiný, než na co jsem z Thajska s BL linkou zvyklý. Je o třech bytostech, tak rozdílných, z barmsko-thajského pomezí, konkrétně část děje zabíhá (i zpětně) do separatistické barmské provincie Šan (Shan), kde je pro některé život hodně krutý, navíc vše podtrženo i tím, že zrovna oba dva státy (Myanmar a Thajsko) nemají úplně ideální zahraničně-politický vztah, je protkán i ostatními postavami a příběh mě obohatil. Wan, později Sorn, má v Šanu tíživý život, nejdříve mezi mnichy, potom v barmské armádě, se mermomocí chce dostat do Thajska a co všechno musí podstoupit. Nevadilo mi ani to, že erotika se odvíjela maximálně doteky, což mi tentokráte hodnotu filmu jen umocnilo. Zajímavé hodně, i když snímek neosloví asi všechny diváky.

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A historical story from ancient China where something more develops between two men. It was filmed gently, almost tenderly, although the story itself does not lack betrayal, humiliation, cruelty, pain and death. Both main characters, Li Yu and Long Yang, were played excellently, and every small possibility was used to make "something" between them so that it did not exceed the red "gay regulation" (especially in the closing credits on the small screen). Chang Quin, even though she plays a negative character in the story, is also unmissable due to her perfect beauty. Processing very solid.


Historický příběh z dávné Číny, kdy mezi dvěma muži vzniká něco víc. Byl natočen jemně, téměř něžně, i když v příběhu samotném nechybí zrada, potupa, krutost, bolest i smrt. Obě hlavní postavy Li Yu i Long Yang zahrány skvěle a bylo využito všech drobných možností, aby mezi nimi "něco" bylo tak, aby to nepřekročilo rudé "gay nařízení" (především i v závěrečných titulcích na malé obrazovce). Chang Quin, i když hraje v příběhu zápornou postavu, je také nepřehlédnutelná, díky své dokonalé kráse. Zpracování velmi solidní.

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It is unfortunate for all couples in the world to live together like lovebirds from the beginning until death. Tasuki and Yudai are the couple who made it and the other's doomsday has arrived. The film is very human, different, in its own way beautiful even cute in its happy memories and sad at the same time on the day of death. I have nothing more to add...

Nepoštěstí se všem párům na světě spolu žít ve vztahu jako holubičky od začátku až do smrti. Tasuki a Yudai jsou párem, kterým se to podařilo a nastal soudný den pro toho druhého. Film hodně lidský, jiný, svým způsobem krásný až roztomilý ve svých šťastných vzpomínkách i dnem smrti smutný zároveň. Nemám víc, co bych dodal ...

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I would like to give "Definitely recommend", but the movie is so strange, about almost nothing and everything at the same time, almost nothing happens in it and yet it happens ... I won't reveal more, this could only have been made in Taiwan. A hidden gem from the man who wrote and directed this little story...

Dal bych nejraději "Určitě doporučuji", ale film je tak zvláštní, téměř o ničem a zároveň o všem, téměř nic se v něm neděje a přeci děje ... více nebudu prozrazovat, toto mohlo vzniknout pouze na Taiwanu. Skrytá nádhera od člověka, který tento malý příběh napsal i zrežíroval ...

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In 2015, Taiwan passed an amendment to the law that foreigners infected with HIV and living in Taiwan will no longer be deported out of the country.
The plot of the film takes place in 2013, two years before this novel. Jim lives with Mike, who is from Malaysia, and subsequently everyone probably already knows what will happen.
Where the Taiwanese keep getting new and new actors .... very well acted, believable, natural, as if the two really lived together, only these two characters appear in the film ... and the ending (!)

V roce 2015 Taiwan schválil novelu zákona, že cizinci infikováni virem HIV a žijící na Taiwanu již nebudou deportováni pryč ze země.
Děj filmu se odehrává v r. 2013, dva roky před touto novelou. Jim žije s Mikem, který je z Malajsie a následně už asi všichni tuší, jaký bude děj.
Kde ti Taiwanci berou stále nové a nové herce .... moc hezky zahrané, uvěřitelné, přirozené, jako by ti dva spolu opravdu žili, ve filmu vystupují jen tyto dvě postavy ... a ten konec (!)

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So a little "different" movie compared to tons of others. Light, gentle and touching, sad ... Describing human destinies, the weight of life, desire. The music is pleasant, often in perfect harmony with the film images, I was also interested in the processing, as well as the moving story of the cousin - the character was played by Austin (Po Hung) Lin, who as one of the two main actors is not listed in the Details. The film, although not completely new, can still appeal to many viewers.


Tak trošku "jiný" film oproti tunám ostatních. Lehký, jemný i dojemný, smutný ... Popisující lidské osudy, tíhu žití, touhu. Hudba příjemná, mnohdy dokonale ladící s filmovými obrazy, zpracování mě rovněž zaujalo, rovněž tak pohnutý příběh bratrance - postavu hrál Austin (Po Hung) Lin, který jako jeden ze dvou hlavních herců není v Podrobnostech uveden. Snímek, i když není zcela nový, stále může mnohé diváky oslovit.

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Although this film seems simple, it carries a very beautiful message of life itself. I'll use a quote from MDL: "It's a shame to say when you're an old gray-haired person that the one you loved from your youth still lies beside you". They are played by two nice, even beautiful young Chinese people, and it's a shame that LGBTQ+ topics are not allowed to be more promoted in this country, what would it be like with 1.4 billion people ... if only a "mini China" with this topic waves and makes the whole LGBTQ+ world happy (Taiwan, 26 million inhabitants). Communicated very nicely, gently and with insight. What meets only a few couples, like a pair of swans, is a beauty, a gift ...



Ač se zdá být tento film jednoduchý, tak nese moc krásné poselství života samého. Použiji citát uvedený na MDL: "Je stěstí říci, když jsi už starý šedovlasý člověk, že ten, koho miluješ od mládí, stále leží vedle tebe". Hrají dva sympatičtí, ba přímo krásní mladí Číňané, a škoda jen, že LGBTQ+ tématika nesmí být v této zemi více propagována, co by to s 1,4 miliardy lidí muselo být za studnici ... když jen "mini Čína" s touto tématikou mává a obšťastňuje celý LGBTQ+ svět (Taiwan, 26mil obyvatel). Sděleno moc hezky, jemně a s nadhledem. To, co potká jen nemnohé páry, jako párek labutí, je nádhera, dar ...

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A film about abandonment, the search for love and the straightening of family relationships. The story takes place in a quiet area of the Japanese countryside, in contrast to the roaring cauldron of the world's largest megapolis of thirty million people, Greater Tokyo. One could say a simple story, and at the same time so FUNDAMENTAL, full of humanity, humanly acted and the processing was also above average. I recommend it to all viewers who know what life brings or can bring behind somersaults. Even the rating on MDL is one of the highest ever. The story will stay with me for a long time.
Probably forever........


Film o opuštěnosti, hledání lásky a narovnání rodinných vztahů. Příběh se odehrává v tiché oblasti japonského venkova, na rozdíl od dunícího kotle největší třicetiosmi milionové megapole světa Velkého Tokia. Dalo by se říci prostý příběh, a přitom tak ZÁSADNÍ, plný člověčenství, lidsky zahraný a zpracování bylo též nadprůměrné. Doporučuji všem divákům, kteří vědí, co život obnáší nebo může přinést za kotrmelce. I hodnocení na MDL je jedno z nejvyšších vůbec. Příběh ve mě dlouho zůstane.
Asi napořád .........

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I like pinoy movies

I definitely do not recommend this film to local critics, don't waste your time, definitely watch something else, because the camera work, especially in the first short story, is amateurish. But maybe it was on purpose. But that doesn't mean that I agree with the fact that someone's evaluation slips only into Buran homophobia, then the film is not evaluated as such, but an attitude towards something completely different. But for me, the film has its charm, above all in the fact that here I feel the pursuit of humanity, simplicity, the search for truth, what I like about Pinoy films, even if they do not reach the sky, the fact that Filipinos are open in the field of sexuality and above all, what I was very surprised about, several human truths appear in the translation, and I also appreciate that. I will definitely return to the film sometime and it was translated into Czech in the Czech Republic...

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Complex excellent film

I didn't read the reviews and played the movie and after a while I wanted to delete it because I thought it was like snot dragging crap. I haven't done it yet!!! A difficult film and not for everyone... to perceive, to watch, but once you get on the ropes, you already know for sure that this is a completely extraordinary film. I'm still thinking about it, and the more and with the distance (I saw it two days ago), the higher I want to give it, and I gradually realize how much the creators of this film actually conveyed through the slow shell of processing. Relatively boring, dragging plot, impersonal and cold relationships, recurring pacific monsoons... and a high rating from me and you can judge me all you want.

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Excellent movie

In the beginning, I watched a "politically motivated" movie, the communist faction, and I thought that it wouldn't be for me. And damn it was.
You have to work your way through that beginning. Politics gradually disappeared from the screen during the story and the deep life story of Jun (the great Sid Lucero, whom I also know from the excellent Filipino film Selda) came to the fore, as I followed him gradually over the years and other main characters include Errol and Roland (here on MDL, these characters are not mentioned by mistake) and the other secondary roles are also etched in my memory. When I thought about the political development of the Philippines and watched the GAY LINE OF THE STORY in particular, and we all know that in the past people of minority orientation did not have it easy (often even today), it was quite a strength, a deep experience. I understand that, for example, older generations will be put off by the "communist" beginning and or the heterosexual gay line, when the actors had to submit to quite sexually explicit scenes (somewhere I'm confused whether the Philippine censors didn't even ban or cut out a part in 2010), which were very convincing, I didn't mind that the creators couldn't "age" Errol more towards the end of the film, it didn't detract from the deep story, after all, Errol's older son at the end of the film was actually a year older than his "dad". A really powerful experience for me and it's a shame that 13 years ago technology wasn't at such a high level and the film has an "old" look ...

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