That it's one of the best series, there's no question about it and that's where my rating comes from, I respect all those viewers who experienced it to the fullest (and that's what it's all about) and shed hectoliters of tears worldwide, because this series hit a large part of the world of BL viewers , but I'll take a few digs anyway, don't take me too seriously.
I had a lot of fun with the opposites in the first episode. The brawler and brawler, Mok, a stubborn debt-ridden slob, who has also been in prison, with a girlfriend and, as a contrast, Day, a stubborn adult child, perhaps spoiled by his mother and a little spoiled, and in the next episode, a very fast incomprehensible turn ... From a wolf, he became a lamb with a whip, from a greased up hetero mechanic to a patient nurse in love with a young man, and Day's character suddenly changed quite a bit as well. Here, I would have liked more time for mutual "learning", grinding the edges of the characters, instead of the fact that in the next episodes the time was increased with cotton wool such as walking, cooking, running and other more or less lengthening scenes, and the plot stood a lot except for the matter with August. then everything will return to the first plan, counting on the assumption that the audience will be wistfully talking about how poor Day is blind over the slow-moving plot ... and they would go crazy with tons of snotty tissues and tears in their eyes even if it was filmed Day going to the bathroom to poop and unable to find toilet paper.
On the other hand, the blindness was played very nicely and convincingly by Day, and kudos to the creators for a very tasteful and sensitive portrayal of a blind person, I mean it quite seriously and now again a little lightly - so nice that after the first eye surgery, the instrumentalist nurses apparently blew through his bandage hair dryer and hair straightener. But for a long time, I didn't believe Daya actually had feelings for Moka. Mok, that's a chapter in itself, it's cuteness in itself. I liked the character of Phojai (but also some other characters in the series), no hysterical and heart-wrenching scenes like how her partner "turned gay" and doesn't love her anymore. In ep.11, I was turned off by the predictable "artificial" breakup, instead of Day proving to his mom, who has to ask when he can fart, while he is a disabled but grown-up guy, how much he loves Mok and that he could leave with him despite his mother's ban and Mok, his love, would be able to take care of him even without his mother's money. And with Mok banging against the wall, that was a scene where I couldn't believe Mok and laughed out loud with rage at how they artificially lengthened it to make the last episode even sweeter. What bothered me the most about this series, which caught the attention of so many viewers, including me (!), was the incredibly fast transformation of Moka in the second and third episodes, the somewhat long-winded and sentimental slowness of the first plan, and above all the separation for a few years, I really hate that in Asian projects, and also that a relationship based on falling in love has to be worked on in order to grow into lasting love, and that requires an agreement, mutual respect, sanding the edges and not immediately insisting on a breakup (in that case, the one who insists on a breakup cannot to love the other to the bottom of the soul and to seek a compromise), that's why I can't give the story a ten.

Lees verder