Honestly, they both have the same hilarious vibe of pure silliness for a more PG rated drama. There's also a bit of enemies to lovers, which works.

Both series are Thai and have professional, semi-cold women and the men who love them. Voice in the Rain has a bit of magical realism thrown in so that's fun.

Serial killers and more serial killers. Both dramas deal heavily with serial killers and the police attempting to catch them. The pacing is tighter in Aku no Hado, but Yuki Furukawa and Nattarat Nopparatayapon are equally proficient at playing super creepy dudes.

Both male leads have lost the women they love to violence and are on a bit of a revenge kick. Seigi no Tenbin is milder in content than Voice, and it does have a tighter script.

Both dramas have unconventional leads, both star Issei Takahashi, and both have the theme of live your best life and find fulfillment in being faithful to who you are no matter what anyone else claims you should be.

Both have Male leads who can see and speak with the dead. Let's Fight, Ghost is a Thai remake of the Kdrama Bring It On, Ghost.

- Nice Male Lead
- Spunky female lead
- Dreams that the male lead has given up

Both are supremely sweet but melancholy movies.

A similar self-improvement plot for each, but YNSH has a nicer ML and a stronger FL, and the FL was a mess long before the ML ever met her so he wasn't the cause of her self-esteem issues like in We Love. The ultimate message of "love yourself" in YNSH is healthier, but We Love does have the positive message of "be true to your feelings" so there's a bit of a similarity there. Happy endings on both counts.

Serial killers galore. Bishoku Tantei Akechi Goro is more of a dark comedy with lots of violence and blood combined with a quirky sense of humor, whereas Aku no Hado is pretty much just nail-bitingly intense. I like both of them for what they add to the genre, but for different reasons.

Both are crime dramas with a focus on psychology and motive. Aku no Hado gets the viewer inside the head of a serial killer while Strawberry Night Saga is from the perspective of a victim turned detective.

Both are crime dramas with the same male lead, although Kamenashi has more to do in Red Eyes, but the premise for Strawberry Night Saga is probably a little deeper overall. Both are decent additions to the crime genre.

Both dramas center on a group of older female friends who are unhappy in their chosen lifestyles. There's even the housewife who falls for the younger man. It has a lot of similarities, although "Around 40" is a lot cleaner.